Word: ugliest
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Dates: during 1960-1969
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...metropolis were razed and rebuilt. Its breakdown this fall was one of spirit and nerve, a malaise that affected the tacit assumptions of trust and interdependence without which no organism so vast and disparate can possibly function. In what most responsible citizens concede to be one of the ugliest situations in memory, strikes and the threat of strikes pitted not only union against employer-the city-but, worse, black against white, Jew against Gentile, middle class against poor...
...only U.S. President not included -at his request-is Lyndon Johnson. However, the gallery owns the portrait of him commissioned from Peter Hurd and then rejected by Johnson as "the ugliest thing I ever saw." It will go on view in February...
...largely unknown-editor of a prestigious liberal quarterly, the Westminster Review, she fell in love with Herbert Spencer, who rejected her. The notorious apostle of ethical Darwinism was a man "as capable of loving as of flying." But when she developed a plain woman's devotion to "the ugliest man in London," a chatty, witty, sensible litterateur named George Lewes, she found herself deep in one of those parallelograms of passion that so often defined Victorian domestic life...
...batch of sitchcoms, ABC can claim some dubious credit. Having proved with last year's hit, The Flying Nun, that audiences will sit still for anything that is sufficiently inane, the network now exploits its advantage with television's first series about a transvestite, The Ugliest Girl in Town. The story deals with a young Hollywood talent agent (Peter Kastner) who is mad for an English starlet. He works his way to London as a bewigged model and becomes the hottest mannequin since Twiggy. Kastner admits that at first he feared the show "might be offensive...
...peripatetic motion caught by a camera tracking in tight close-up, the gross Falstaff beside the cruelly emaciated Justice Shallow (Alan Webb), Doll Tearsheet (Jeanne Moreau) demonstrating how a tender and accomplished whore might satisfy an impossibly fat old patron. The Battle of Shrewsbury is simply the finest, truest, ugliest war footage ever shot and edited for a dramatic movie. Welles fills Falstaff with motifs to create visual unities: the vast castle wall which dominates shot after shot; the oppressive vacuity of Spanish winter; the rhythmic alternation of static shooting and frenetic camera movement, the visual equivalent of the dramatic...