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...Resistible Rise of Arturo Ui...

Author: By Gary L. Susman, | Title: An Irresistible Rise | 11/20/1987 | See Source »

...beginning of The Resistible Rise of Arturo Ui, Professor Richard Hunt, who teaches a Core course called "Culture and Society in Weimar and Nazi Germany," delivers a short lecture on Brecht, while a rogues gallery of Nazi thugs, whom Brecht's parable has transformed into Chicago gangsters, listens in bemusement. "It is a very serious play. It is also a very funny play," Hunt says of Ui itself. Then one of the gangsters motions Hunt offstage and shoots...

Author: By Gary L. Susman, | Title: An Irresistible Rise | 11/20/1987 | See Source »

...Hunt says, Ui is both serious and funny. And as his sudden demise suggests, it is not subtle. Almost all the characters are none-too-thinly veiled portraits of real figures in the Nazi hierarchy. Hitler becomes Arturo Ui (Chad Raphael), Ernst Roehm becomes Ernesto Roma (Jeff Alexander), Hermann Goering becomes Emanuele Giri (David Schrag) and Joseph Goebbels becomes Giuseppi Givola (Anthony Korotko Hatch...

Author: By Gary L. Susman, | Title: An Irresistible Rise | 11/20/1987 | See Source »

Brecht's analogy, while apt, isn't always historically accurate. Brecht means for Ui's blackmailing Dogsborough (David Cope) for power in Chicago to imply that Hitler blackmailed President Hindenburg in order to become chancellor, which is not necessarily true. Also, Brecht's meticulous parallel fails to take into account anti-Semitism...

Author: By Gary L. Susman, | Title: An Irresistible Rise | 11/20/1987 | See Source »

Most damning is Brecht's indictment of the German people for refusing to accept responsibility for Hitler's rise. Two or three characters argue passionately, presumably in Brecht's voice, that if more people would speak out against injustice, they could resist the rise of such as Ui...

Author: By Gary L. Susman, | Title: An Irresistible Rise | 11/20/1987 | See Source »

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