Word: ulanova
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...ballet was Romeo and Juliet, danced in settings of overwhelming -if old-fashioned-grandeur and verisimilitude. The dancing, to the Prokofiev score and with few differences from the ballet film now showing in the U.S.. was heavily larded with emotion-laden pantomime. But fragile Ballerina Galina Ulanova danced lightly as a wind-wafted feather in spite of her 46 years. Most critics were ecstatic. The Times critic described her as "now like a flame on the ground, now like a flame leaping in the air." Wrote the News Chronicle: "Her arms and hands raised in flight are sheer poetry...
...Montagues and Capulets meet and taunt one another into a brawl that fills the square. Soon the entire cast is introduced: Romeo, handsome and brawny; Friend Mercutio, here a playboy with wonderfully impudent toes; Tybalt, an arrogant, bloodthirsty Capulet; the stony senior Capulets and Montagues; and, last and best, Ulanova's Juliet, not quite girlish and a bit plumper about the waist than the American fashion in dancers...
West yearns for a good look at Ulanova, have trimmed and tailored Prokofiev's work into a 96-minute color film. The Ballet of Romeo and Juliet. This week the film, the first feature-length movie of an entire ballet, which took a 1955 Cannes Film Festival grand prize, begins its first limited showings in the U.S., will be shown nationally next fall. It has its shortcomings as cinema, and it has a storybook languor that seems old-fashioned in contrast to the fast pace of U.S. ballet, but it makes excitingly good on its promise of a look...
...calf across the other while Romeo holds her aloft, she expresses womanly satisfaction in her conquest; at the marriage, the very line of her pouter-pigeon torso, stretching straight back to her pointed toes as she is held up, delivers an emotional wallop. But the high point of Ballerina Ulanova's performance is her fluttering despair when faced with a second suitor, and then her precipitous dash, head thrown back, down Verona's streets...
Although the cast of The Ballet of Romeo and Juliet is made up almost entirely of Moscow's Bolshoi Theater dancers, only Ulanova and a few others actually do expressive dancing in the film; the rest is rhythmical miming and pageantry à la Russe. Even the principals are made to underplay the heavily charged scenes. This makes the bedroom scene a little cool, but is a blessing when the bodies start dropping...