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Word: ullmann (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Anticipation proves to have been the best part of Liv Ullmann's Nora. She is giving a middling performance in a self-indulgent vanity production. Stardom is a powerful narcotic which, like pride, has frequently preceded a fall...

Author: /time Magazine | Title: The Theater: A Doll's Hearse | 3/17/1975 | See Source »

Perhaps there should be a talent-depletion allowance for actors and actresses who linger too long in films. In any event, the stage makes different demands, and in the present instance Ullmann is simply not up to them. This is not entirely her fault. Her marvelously expressive face and luminous blue eyes perform exquisite miracles in camera closeups. In the vast spaces of Lincoln Center's Vivian Beaumont Theater these precious attributes, and their power to move, are lost...

Author: /time Magazine | Title: The Theater: A Doll's Hearse | 3/17/1975 | See Source »

...Ullmann, a Crimson editor, tutors reading at Massachusetts Correctional Institute--Bridgewater, in conjunction with Education T-317, a course about reading disabilities in the context of the prisons system. Jeanne S. Chall, professor of Education and Jeffrey Schnitzer teach the course...

Author: By Bob Ullmann, | Title: Bridgewater: A Peculiar Institution | 2/12/1975 | See Source »

This is the adamantly delirious saga of Queen Christina of Sweden, a role once played by Garbo and now fallen, thanklessly, to Ullmann. She is wise enough not to try to capture Garbo's regal mystery. Ullmann instead goes after Christina's hobbled psyche and knotted libido. The script, however, does not necessarily move in the same direction as the leading actress. Indeed, it gives her very little to go on at all. Scenarist Ruth Wolff furnishes Christina with a mother who twists heads off dolls and recommends the presence of a dwarf during pregnancy. Christina...

Author: /time Magazine | Title: Cinema: Papal Passion | 10/28/1974 | See Source »

...Christina's past is shown in flashback, Harvey wets down the royal palace and environs with what we must assume to be the mists of memory. Much of the movie consequently looks fogbound, as if it were photographed during a close night on the Grand Bank. Harvey requires Ullmann to run through fields to demonstrate exuberance, slouch in doorways to show anxiety and uncertainty, and practically pant after a handsome young courtier whose love she fears. "I want to be loved!" Christina complains to a wily minister (Cyril Cusack). "The people love you,"the minister answers. Christina replies: "Send...

Author: /time Magazine | Title: Cinema: Papal Passion | 10/28/1974 | See Source »

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