Word: ulmer
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Dates: during 1990-1999
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Richard Corliss's piece "Sex! Violence! Trash!" on so-called exploitation movies of the past belongs in the third category because of its lack of focus and misinformation [CINEMA, July 7]. Corliss branded my father, Edgar G. Ulmer, "the vagabond king of grade-Z films." My father's films did not purvey either sex or violence; perhaps their budgets were sometimes trashy, though only by necessity. None of his films were exploitive in the sense used in the article, but all were exploitable--read marketable--by virtue of my father's creativity as a director. His movie Detour...
...exploitation directors were the independent filmmakers in an era dominated by Hollywood. No one made black films for black audiences, so Micheaux did, beginning in 1918; and if his films often showed an actor waiting for him to bark out a stage direction, they satisfied their constituency. Edgar G. Ulmer, the vagabond king of grade-Z films, directed the black musical Moon over Harlem--as well as pictures in Yiddish and Ukrainian--all in the same year (1939). These guys were tireless: from 1935 to 1945, hack-of-hacks Sam Newfield directed an impossible 150 quickie movies, including the grindhouse...
...Ulmer Chicago AOL:JULMER...
...baffled that anyone should think their presence worthy of comment. "Living as a Jew in Germany is , just like living in America," says Alex Kozulin, 31, a Russian-born pianist who came to West Berlin via Israel twelve years ago. "I don't feel I have any enemies." Heiner Ulmer, 40, the son of Polish concentration-camp survivors who settled in Bamberg after the war, is more emphatic. Says the high school teacher: "I'm a German. I was born here, I studied here, all my friends are German...