Word: ulrica
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...Although no Negro had ever sung a solo role there at the time. The first: Marian Anderson, who in 1955 long past her vocal prime-appeared in the minor part of the fortune teller Ulrica in Verdi's A Masked Ball. Following Anderson, three Negroes have had lead roles at the Met: Baritone Robert McFerrin, Sopranos Mattiwilda Dobbs and Gloria Davy...
...later of the Stuttgart Staatsoper. In her seven years in Europe. Grace has appeared at La Scala, Covent Garden. Florence. Bayreuth. With her 2½-octave range she has sung 20-odd roles, including Carmen. Gluck's Orpheus, Dora-bella in Mozart's Cosí fan Tutte, Ulrica in Verdi's Un Ballo in Maschera, plus mezzo and contralto parts in the Ring cycle...
...Famed Contralto Marian Anderson broke the singers' color barrier two years ago in the role of the Negro Ulrica in Verdi's Un Ballo in Maschera. Three weeks later, Baritone Robert McFerrin made his Met debut as Amonasro in Aïda. Ballerina Janet Collins was the first Negro ever to be featured at the Met (in 1951), also...
...still news when a Negro stars in grand opera, even in a role calling for a dark skin. Marian Anderson's Metropolitan Opera debut as the Negro Ulrica, in Un Ballo in Maschera (TIME, Jan. 17), made fortissimo headlines, and this week Baritone Robert McFerrin is causing another stir at the Met by singing the Ethiopian king Amonasro in Aida. The NBC Opera Theater was even bolder: this week it cast Leontyne Price, 26, as the Italian opera singer Tosca...
...standing room began to form at 5:30 a.m. At curtain time that night, there were more Negroes in the audience than anyone had ever seen at the Met. The audience waited impatiently through the opening scene, for Anderson would appear only in Scene 2. Her role: the fortuneteller Ulrica, who appears for 27 ominous minutes in order to bring the hero together with another man's wife and to predict his murder. When the curtain rose, Marian Anderson was discovered in a shadowy set, stirring a green-steaming cauldron flanked by a pair of skulls. The great contralto...