Word: ulvaeus
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Dates: during 2000-2009
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...have weighed in. Prince has threatened to sue, and this week one of the founders of the Swedish super group ABBA denounced the site as a gift to those who want to be "lazy and mean." "It is easier and cheaper to steal than to download legally." Bjorn Ulvaeus wrote in an online Swedish op-ed. "Is it really so damn difficult to pay your...
...called rock musical, “Chess” does not live up to its celebrity creators. Penned by Tim Rice, with music from Björn Ulvaeus and Benny Andersson, two former members of Abba, the musical often features an off-key score to lend the songs a foreboding tone. This score does little to compensate for the musical’s flimsy plot. Although the sinister score may give atmosphere to the setting, it does little to enliven the scenes of the musical...
Romance, drama, espionage, ABBA, and...chess? The 1986 rock musical “Chess” features all of the above and the Murray Head hit “One Night in Bangkok.” The brainchild of Tim Rice and ABBA’s Björn Ulvaeus and Benny Andersson, a Harvard production directed by Sean P. Bala ’09 will run through Dec. 7 in the Adams House Pool Theatre. The musical adds intrigue to what might seem like just another high-intensity, mind-boggling (or, to some, simply boring) game by using...
...last question is the easiest to answer. Benny Andersson and Bjorn Ulvaeus, the boy half of Abba, may have been writing for the Top 40, but their songs explored a gamut of dramatic situations, from the vagaries of celebrity (Super Trouper, Does Your Mother Know) to the wistfulness a woman feels as her daughter grows up (Slipping Through My Fingers). And since Abba's vocalists were women (Anni-Frid Lyngstad and Agnetha Faltskog), the guys composed enough hits over the group's nine-year run to accommodate all the female characters in Mamma...
...this once, then run for cover: Abba was not just the top-selling group of the '70s; Andersson and Ulvaeus created the smartest, most buoyant body of work from any pop group since the Beatles. Their gaudy gear, with the spangles and spandex, made them easy to deride, but their real sin was that they lacked "depth," which is to say they didn't pretend to be miserable. Instead, like pop performers from an earlier age, they pretended to be happy. Their music did too. The lyrics to the song Mamma Mia confess to erotic obsession and serial masochism...