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...story, and the epic is a touchstone for tales of travel and homecoming. As early as the first century BCE, Vergil was borrowing from the Greek epic to tell his own “Aeneid”; Leopold Bloom’s very different wandering in “Ulysses?? set the bar almost impossibly high for modern adaptations. Mason’s book, then, faces its own Scylla and Charybdis—on the one hand, the menace of literary forerunners whose adaptations are now classics themselves; on the other, the possibility of merely echoing a tale...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

...praise some 46 years ago, Pynchon has indeed succeeded in turning staggering promise into staggering achievement. His third novel, 1973’s “Gravity’s Rainbow,” is one of those works—like Joyce’s “Ulysses?? or Wallace’s “Infinite Jest”—that literary junkies force themselves to read and pray that they’ll one day understand. He has received a National Book Award (for that novel), a MacArthur “genius...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: Pynchon's Noir "Inherently" Minor | 9/18/2009 | See Source »

...very crushing atmosphere.” Joyce’s references to Hamlet in his own works also had concrete influences on the play. “There are some surprises I want to keep for the show, but basically, Joyce has a discussion in ‘Ulysses?? that is very subtle about Hamlet being a woman. That was huge,” says executive producer Rachel D. Libeskind ’11. “To me it’s always been this interesting idea, of Hamlet as a feminine character. I think...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: ‘Hamlet’ with Modernist Influences | 5/1/2009 | See Source »

...always, the darkness that can come with having a good time. This time around, they mixed up the formula, adding more synth and dub influences. They have dabbled with synth before, but every song on this album, save one, heavily incorporates a synthesizer and electronic elements. “Ulysses?? and “No You Girls” manage to stay true to the old Franz Ferdinand aesthetic while adding these newer elements. That said, they fail to replicate the magic of their most popular single, “Take Me Out.” The album...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Franz Ferdinand | 2/5/2009 | See Source »

...really expansive,crazy, theatrical plays like “Dead City” by Sheila Callaghan. I am especially intrigued by this one because I will be teaching it this semester, so I have been really getting inside of it lately. It is a revision of “Ulysses?? seen through the eyes of a modern-day woman living in Manhattan. It is very expansive, theatrical, and language-oriented...

Author: By Jamison A. Hill, CRIMSON STAFF WRITER | Title: 15 Questions With Christine Evans | 2/20/2008 | See Source »

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