Word: umbertos
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Ever the provocateur, Wolfe is enjoying the controversy. Agreeing cheerfully that his piece is indeed self-serving, he now adds to his list of targets Italian best-selling writer Umberto Eco, whose latest novel, Foucault's Pendulum, is a phantasmagorical venture into the occult. "Eco," Wolfe says, "is a very good example of a writer who leads dozens of young writers into a literary cul-de-sac." Harper's plans to throw more fuel on the bonfire. Editor Lapham will devote a large part of his January issue to responses and rebuttals to Wolfe...
FOUCAULT'S PENDULUM by Umberto Eco (Harcourt Brace Jovanovich; $22.95). Eco has woven together a novel that is even more intricate and absorbing than his international best seller The Name of the Rose. Beneath its endlessly diverting surface, this book constitutes a litmus test for ways of looking at history and the world...
...Umberto...
From this spooky, arresting premise, Umberto Eco has launched a novel that is even more intricate and absorbing than his international best seller The Name of the Rose (1983). Unlike its predecessor, Foucault's Pendulum does not restrict its range of interests to monastic, medieval arcana. This time Eco's framework is vast -- capacious enough to embrace reams of ancient, abstruse writings and a host of contemporary references or allusions. The latter include the Yellow Submarine, Casablanca, Tom and Jerry, Lina Wertmuller, Barbara Cartland, Stephen King, Superman, Raiders of the Lost Ark, Flash Gordon, the Pink Panther, Minnie Mouse...
Futurism made the most noise at the start. The futurist painters' manifestos of 1910, written by that inspired poet and arch-hypester Filippo T. Marinetti and signed by a clutch of brilliantly gifted artists (Giacomo Balla, Umberto Boccioni, Carlo Carra, Luigi Russolo and Gino Severini), declared war on cultural history -- "the enthusiasm for everything worm-eaten, rotting with filth, eaten away by time...