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Most serious problem for Togliatti: a revolt by a powerful faction of young "renovators," who demand greater freedom from Moscow, more democracy inside the Italian party, a special party congress to debate Togliatti's tarnished policies. It remained for crusty Communist Senator Umberto Terracini to raise the question that was in the minds of Communists and anti-Communists the world over. Noting that Khrushchev himself was long a member of Stalin's clique, Terracini asked whether new denunciations in the future "might not sweep away Comrade Khrushchev himself...

Author: /time Magazine | Title: Communists: Still Stalin | 11/24/1961 | See Source »

...Burn the Museums!" Inspired by the Marinetti manifesto, a second appeared the next year signed by the painters Umberto Boccioni, Carlo Carrà, Luigi Russolo, Gino Severini and Giacomo Balla-futurism's big five. Among other things, it declared that THE NAME OF "MAD MAN" WITH WHICH IT IS ATTEMPTED TO GAG ALL INNOVATORS SHOULD BE LOOKED UPON AS A TITLE OF HONOR. The five themselves sounded a bit mad with anti-tradition slogans of "Burn the museums!" and "Drain the canals of Venice!" But their underlying purpose could not have been more serious. "We choose to concentrate...

Author: /time Magazine | Title: Art: The Intoxicated Five | 6/2/1961 | See Source »

Benches & Dreams. When three of the manifesto signers-Umberto Boccioni, Luigi Russolo and Carlo Carra-held a "Futurist Evening" in Turin, they set off a riot. In Bologna, Carra was nearly killed when an exasperated antifuturist hurled a bench at him, and in Treviso the three painters had to be rescued by the police from a mob. But the searing colors and frenzied designs of the futurists had their purpose: to depict not the surface world but the latent powers asleep within...

Author: /time Magazine | Title: Art: ON NATIVE GROUND | 7/11/1960 | See Source »

...audiences who associate De Sica with some of Italy's greatest postwar protest films (The Bicycle Thief, Shoeshine, Umberto D. and The Roof), his participation in this featherweight import may come as something of a surprise. But since the films that earned him a place in cinema history have all been box-office laggards in Italy, De Sica is forced to direct and act in cream-puff romances in order to scrape up the financing for an occasional picture of his choice. In The Maid he almost seems to be describing his own professional plight-and that...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 7, 1959 | 9/7/1959 | See Source »

From Marina Grande most visitors take a shiny new aluminum funicular (fare: 28?) up to the tiny Piazza Umberto, Capri's main square. There the day excursionist mounts the steps behind the piazza-to save money, he does not take a cafe table-and watches the crowd swirling beneath: men with pink shoes and dyed blond hair, women in sequined toreador slacks or skintight shorts...

Author: /time Magazine | Title: ITALY: Isle of Dreams | 8/3/1959 | See Source »

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