Word: unborn
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Fisher's alter ego is the screenwriter Cora. In letters to her unborn baby scattered throughout the story, we find out she's naming the baby Esme, even though it sounds like a noise her nose makes, and we learn that the she can't resist cracking a joke about serious things. Cora also leads what she calls a "noisy life" full of parties and problems and oodles of self-absorption. This cycle dominates, except of course, when she is forced to make room for the plot...
That was the last charlie Dyre heard of Louise, or of his then-unborn son, for nearly 30 years...
...your spouse were pregnant, would you want the unborn child tested for genetic defects...
...Scientists are developing testing procedures that will allow doctors to screen unborn infants for genetic abnormalities such as Down syndrome by isolating fetal cells in the mother's blood, thereby reducing the need for riskier procedures...
...nation's thorniest ethical issue. But just when it seems that is about to happen, playwright Jane Martin turns out to have plenty to say about the antifeminist anger that may underlie much activism. The lead captor, a windy minister, appears to have trouble separating his concern for unborn children from his devotion to patriarchal authority. He keeps referring to himself as "the head of the family." He condescends unashamedly to the day-to-day keeper, a grandmotherly woman who is trained as a registered nurse and who is old enough to be his mother. In the most unnerving scene...