Word: uncommonly
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...have a chance to confer with the assistant in advance, of course--and we all like to be called "assistants," not "graders" --you may be able to ferret out one or two cosmic assumptions of his own; seeing them in your blue book, he can only applaud your uncommon perception. For example, while most graders are politically unconcerned, not all are agnostic. This is an older generation, recall. Some may be tired of seeing St. Augustine flattened by a phrase or a phrase or reading about the "Xian myth...
...your customers this evening." Try that in Paris on that ornery waiter one is careful to call "Monsieur." In Paris the older generation -- not the younger -- can be so unfriendly that on Sunday at the big church of St. Philippe du Roule, one can witness a scene of uncommon standoffishness, even for Paris: at the point in the Mass when the priest says, "Now let us offer each other a sign of peace," nobody moves...
...have a chance to confer with the assistant in advance, of course--and we all like to be called "assistants," not "graders"--you may be able to ferret out one or two cosmic assumptions of his own; seeing them in your blue book, he can only applaud your uncommon perception. For example, while most graders are politically unconcerned, not all are agnostic. This is an older generation, recall. Some may be tired of seeing St. Augustine flattened by a phrase or a phrase or reading about the "Xian myth...
There has always been a feminist subtext to Wasserstein's plays, even in her earlier work when she relied on Jewish-mother jokes and collegiate sexual confusions for laughs. Her first success, Uncommon Women and Others, depicted a reunion of Mount Holyoke College alumnae six years after they have left the campus to make their way in the working world. The 1977 off-Broadway cast included Glenn Close, Jill Eikenberry and Swoosie Kurtz. Her 1983 hit comedy, Isn't It Romantic, which ran for two years off-Broadway, is a thinly veiled tale of Wasserstein's relations with...
...these doting parents are Jewish emigres from central Europe who came to New York City as children in the late 1920s. For years, Lola has been the richest source of her daughter's comic material. "Do you know what my mother said to me on the opening night of Uncommon Women?" Wasserstein asks rhetorically. " 'Wendy, where did you get those shoes?' " When Isn't It Romantic was playing off-Broadway, Wasserstein's parents would stroll over to the theater and canvass the crowd. "My mother would call and say, 'Oh, what well-dressed people,' " Wasserstein recalls. "She was proud...