Word: uncut
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
Actually, this fantasy-comedy is a mammoth pentateuch in eight acts, requiring three evenings for an uncut performance. Its scope is epitomized in the uniquely blatant way it violates the classical "unity of time;" it starts at the fall of Man in the Garden of Eden and ends 30,000 years from...
...Government Issue influence doesn't stop at this, though. The story is told of a somewhat drunken soldier, A.W.O.L., who took the wrong subway, and found himself in Harvard Square. A week unshaven, with uncut hair, wearing combat boots, olive drab pants, a khaki shirt and a combat jacket, he was stumbling around Arrow Street when two Radcliffe would-be bohemians found him and brought him to the Capriccio because they thought he must be an avant-garde poet...
...Uncut hair, grubby hands and nails, an unctuous face and general disorder of appearance, along with the tattered clothing and an accompanying look of explosive distraction, or sometimes protracted introspection, build up to the effect aimed at--an appearance of depravity. Cantabrigians under the spell of Continentalism would join the desperate people in Sartre's stories and the creatures of Camus in their state of elevated wretchedness--a vilifying yet inexpensive estrangement that sets them off from their humdrum fellows. They have in their minds' eye the limbo of clandestine disbelief they think is occupied by post-war, or just...
...first uncut feature film ever seen on TV, Oz brought the fairy-tale wanderings of a wide-eyed, 16-year-old Judy Garland into U.S. homes for the first time. The E. Y. Harburg-Harold Arlen score (Over the Rainbow, We're Off to See the Wizard) sounded as fresh and enchanting as ever. To kick off the movie, Buffoon Bert Lahr, who played the craven lion in the film, reminisced to Judy's ten-year-old daughter, Liza Minnelli, about the good old days at MGM. If the movie suffered in its new setting, it was mainly...
Unshaven faces, dirty tieless shirts under the gray flannel, threadbare socks in the white bucks--these attested to the intensity with which the latest American expatriates were trying to emulate the native students. But somehow, the Germans' long uncut hair, their coarse black sweaters and corduroy trousers, marked them alone as the true torchbearers of the new Enlightenment...