Word: uncut
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...Faith and Unbelief in the Contemporary Cinema"-and illustrated it with uncut showings of avant-garde films by Antonioni, Bresson, Bunuel, Dreyer, Pasolini and Bergman. Vatican conservatives howled "Pornography!" when Taddei ran Bergman's erotic The Silence, but the show went...
Tall, strawberry blonde, with a towering command of the stage, she portrayed Lucia as a strong-willed girl who fights her tormentors every note of the way. Helped by an absolutely uncut version of Donizetti's score, she progressed from matter-of-fact girlishness through angry submission to a raging, cataclysmic Mad Scene...
...ever spliced into an overground film. Grove Press, which imported Yellow from Sweden, issued a paperback copy of the script "with over 250 illustrations," many of the sort that usually come in plain brown wrappers. Now, a U.S. Circuit Court of Appeals has ruled that Yellow may be shown uncut, and moviegoers can confirm all the rumors for themselves. They are true. The chances are, however, that viewers who expect a titillating kind of 1,001 Scandinavian Nights will be disappointed. For all its well-publicized explicitness, Yellow is not much more erotic than the Fannie Farmer cookbook...
...valuable service in offering certain films that were either too flawed or too offbeat for commercial distribution. The program directors' taste in revivals remains impeccable. Jean Renoir's Toni, made in 1934, is a gentle, loving tribute to the peasants of pre-Civil War Spain. The uncut version of Max Ophuls' Lola Montes (1955), never commercially released in the U.S., is one of the most sumptuous romances ever filmed. Among the other festival highlights...
...Touch of Evil, re-edited by Universal. Most tragic, Welles was sent in 1942 to South America to film a color documentary shortly after the completion of Citizen Kane; after Welles had shot thousands of feet of film, RKO withdrew financial support, recalled Welles, and put his uncut footage into the vaults. For years unidentifiable random shots from the film, It's All True, turned up as stock footage in Latin American thrillers, the only Welles color footage thereby becoming scattered and hopelessly lost...