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...limited to a few. Beginning in 1933 (there is no Festival in 1932), artistic director will be Impresario Heinz Tietjen of the Berlin State Theatre and Opera. Musical director will be Wilhelm Furtwängler, another onetime Philharmonic hero. Conductor Furtwängler, not Toscanini, will probably conduct Tristan und Isolde this summer...
...didn't hoid Meester Feitelbaum from Seedney Frenklin wot he fight witt bools. ... So it geeves chirrs de pipple wot it guzz in wodeweel de bool-fighter wot he bicomes yat from tsigarattes in de papers a in-duster. So Isidor (SMACK) ... you be batter a Seedney Frenklin und dunt gatting on de reputt codd a D yat in bool-fighting maybe...
...Kikeriki!" "Comrades!" roared Communist Deputy Ernst Torgler as the Reichstag convened, "Do you know that working men are being clubbed to the ground outside this building? Donner und Blitz! What a way for this Reichstag to open!" In mass formation, with military tread, eyes front, the 107 new Fascist Deputies entered the Reichstag. When it last met they numbered twelve. Flushed with their great election victory (TIME, Sept. 22) they marched in coatless, each swelling out his Fascist "brown shirt," each flaunting the Fascist swastika on his left arm, each in khaki flare-pants, swank black leather boots-all proud...
Boheme with winsome Queena Mario and pompous little Gigli, Salome, Traviata, Cavalleria, Hansel und Gretel, Manon, Tannhduser, Mignon, Girl of the Golden West, Lucia ? the Los Angeles repertoire and reactions were much the same as in San Francisco. Boxofficially Soprano Maria Jeritza was greatest at traction. Gigli got the galleries. Critics were most eager to hear Clare Clairbert, new Belgian coloratura...
...portentous events as operatic premieres. It was the them-grown-ups last week who appeared most impressed by the first U. S. performance of Maurice Ravel's L'Enfant et les Sortileges (A Naughty Boy's Dream), also written for children and given on a double bill with Hansel und Gretel. They were importantly aware that Ravel is considered the foremost contemporary French composer. Some had heard him two years ago with the San Francisco Symphony, knew his suave, mocking Valse, his lovely Mother-Goose Suite, his high-powered Bolero. Prepared to be charmed, they watched the unfolding...