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Strauss' early masterpiece, finished by the time he was 25, was written under the spell of Wagner's Tristan und Isolde, and takes its cues from the tristesse (and orchestrational largesse) of that monster. In the version Strauss sought to depict, it is not a statue-come-to protagonist's own self loathing that brings on the brimstone. You can look forward to otherworldly brass writing and overwrought, saturated textures. For a first course, it is heavy fare...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: HRO Suits Up for Junior Parents | 3/5/1999 | See Source »

...James Levine rightly calls a "phenomenon," Heppner is the first singer in years who has the vocal heft needed for the massive Wagnerian roles that were once owned by Lauritz Melchior. No operatic appearances in 1998 were as eagerly awaited as Heppner's Lohengrin at the Met and Tristan und Isolde at the Seattle Opera, and the critical verdict was passionately positive. Small wonder: the Wagner excerpts included on his latest CD, Ben Heppner Sings German Romantic Opera (RCA Victor Red Seal), are by turns warmly lyrical and resplendently powerful...

Author: /time Magazine | Title: Music: Tuning Up New Tenors | 12/28/1998 | See Source »

...downplaying these small moments of mayhem,Ethan Frome pays homage to Wharton, making them all the more powerful. Ethan Frome is not sturm und drang, but rather a tale of mute desperation. Allanbrook Sr. and Hunt should be commended for keeping their opera true to a difficult, complex novella...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: ETHAN FROME: N EVENING OF OPERA AT ELIOT HOUSE | 11/20/1998 | See Source »

Hannes Adomeit, a senior fellow at the Stifung Wissenschaft und Politik, in Ebenhausen, Germany, said the Cuban Missile Crisis was "by far the most dangerous confrontation...

Author: By Lauren E. Baer, CONTRIBUTING WRITER | Title: IOP Panel Studies Cold War in Conjunction With CNN Documentary | 9/29/1998 | See Source »

...least 44 states and 13 foreign countries are planning to fly to Seattle to see two of the biggest young voices in the business, Canadian tenor Ben Heppner and English soprano Jane Eaglen, make their double debut in the Seattle Opera's new production of Wagner's Tristan und Isolde. But the prospect of finding a fresh pair of singers capable of tackling Wagner's most vocally demanding roles is only part of what's drawing opera lovers to the Pacific Northwest. This Tristan is being staged by Francesca Zambello, whose penchant for scandalizing stodgy opera buffs with a startling...

Author: /time Magazine | Title: Francesca Zambello: Rattling the Cage | 8/3/1998 | See Source »

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