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...words like "adaptation," "leeway," "growth," and "ingenuity;" he moves past Sigmund and Anna Freud's focus on the defenses that repress or rechannel erupting inner drives, emphasizing instead the "potentialities" of fuller ego-adaption, attained through a mutually reinforcing and self-fulfilling relation between psychology and culture. "'Leiben und arbeiten' (to love and to work)," Erikson wrote in Childhood and Society, quoting Freud's description of psychological health. "It pays to ponder on this simple formula," Erikson says. "It gets deeper as you think about...
...choice of pieces to play "in my hands." She starts her boss off gently in the morning with Bach and Schumann, working up in intensity as the day progresses to Beethoven, Rachmaninoff and Tchaikovsky. At night Carter is his own deejay. Among his recent choices: Wagner's Tristan und Isolde, Grieg's Piano Concerto in A Minor and Franck's Symphony in D Minor...
...there or we will put sauerkraut in the gas tank of your Volkswagen. Und to not think we are kidding...
Dunster House Music Society presents Kletzsh's "Gesualdo," a short musical play for baritone and violin (performed by the composer) and Bach's "Art of the Fugue," with Margaret Dusenberry (violin), Konrad von und zu Tilleysburg (viola), Aideen Zeitlin (violin), and Peter Belmont (cello). Dunster House Library. 3 p.m. Free...
...Leni Riefenstahl, whose previous pursuits of the strange included making effective propaganda films for Hitler's Third Reich (Triumph of the Will). Now 74 and a photographer of the black African people of the Sudan, Riefenstahl still prefers to surround herself and her subjects with clouds of Sturm und Drang. Last year's volume, The Last of the Nuba, photographically displayed Mesakin tribesmen as statuary reminiscent of the heroic Mussolini-modern style of the 1930s. People of Kau is as technically dazzling as the Nuba book, though once again Riefenstahl succumbs to the bizarre and the theatrical...