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...perfection of modern studio recording is one thing. The excitement of live performance is another. Who, for example, would not want to hear two of the century's greatest Wagnerians, Soprano Kirsten Flagstad and Tenor Lauritz Melchior, sing Tristan und Isolde together as they did at the Metropolitan Opera before World War II? Trouble is, Flagstad and Melchior never commercially recorded a complete opera together. For that matter, Melchior never recorded any complete opera...

Author: /time Magazine | Title: Music: Voices from the Past | 9/6/1976 | See Source »

Mesmer undertakes to perform this transference. He emerges from behind heavy drapes accompanied by gentle harmonies from a hidden orchestra (a noted patron of music, Mesmer has commissioned an opera, Bastien und Bastienne, from a local prodigy, Wolfgang Amadeus Mozart). Mesmer then installs up to 30 patients around a tub equipped with magnetic rods for the transfer of the fluid. In recent weeks, he has stopped using magnets and now says he can transfer the fluid through his own hands...

Author: /time Magazine | Title: Medicine: Magnetic Magic | 7/4/1976 | See Source »

Dvorak: Piano Concerto in G Minor, Op. 33 (Justus Frantz, soloist; New York Philharmonic, Leonard Bernstein, conductor; Columbia; $6.98). Critics frequently poke fun at this stepchild of the late 19th century piano repertory. The orchestral Sturm und Drang, it is said, overpower the naive keyboard design. There is nothing naive about Frantz's virile interpretation, however. The young Polish pianist effortlessly bounces off rippling melodies and roaring cadenzas...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

Wagner: Overture to Die Meistersinger, Prelude and Liebestod from Tristan und Isolde, Prelude to Parsifal, Preludes to Act I and Act III of Lohengrin (Amsterdam Concertgebouw Orchestra, Bernard Haitink, conductor; Philips; $7.98). If records like this did not come along occasionally, one would tend to take these familiar excerpts for granted-as Herbert von Karajan obviously does in a bleary competing version on Angel. The freshness and vigor of Haitink's interpretations stem, surprisingly enough, from his scrupulously orthodox approach. He is less interested in conveying his own message than in getting his men-all of whom seem...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

Fourth and fifth places went to Brown runners Lehan and Leavelle, with Harvard freshmen Jamie Kiggen and Peter Levine coming back to claim sixth and seventh places respectively. Rounding out the long line of Crimson finishers were Will Brownsberger (eighth) und Brian Finn (ninth...

Author: By Theodore A. Christopher, | Title: Harriers Claim First Victory, Fitzsimmons, Okerman Shine | 10/14/1975 | See Source »

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