Word: underclass
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...social disintegration within the ghetto. Harvard Government Professor Glenn Loury, one of the leading lights of this new movement, told the Democrats that welfare "makes it possible" for a recipient to remain locked in poverty. Calling for a "frank acknowledgment" of the pathological behavior of some segments of the underclass, he stressed that welfare recipients should be encouraged to develop an "obligation" to improve their situation by taking on the responsibilities of work and family...
...barriers of discrimination. As Chicago Tribune Columnist Mike Royko put it, "I might understand PUSH's concern for Porterfield if he had been flung out of the station door and forced to cadge quarters on a street corner . . . (but) he hasn't exactly become a member of America's underclass...
...both West and Cruse refuse to voice their intellectual disagreements with Farrakhan. Sure Farrakhan is anti-Semitic and anti-intellectual, and his popularity is symbolic of the degree to which the Black underclass has been de-socialized. But to say as much would be to side with Jewish critics. How much easier then to refer to Farrakhan simply as a symbol of "defiance," an intentionally hollow word...
...welfare programs as handouts to the poor and an | insult to the American work ethic. Liberals generally have considered it compassionate compensation for victims of economic and social circumstances beyond their control. But with the startling growth in the number of children being born to unwed mothers from the underclass, many of welfare's long- standing supporters have begun to question whether Aid to Families with Dependent Children programs may be exacerbating the problems they were designed to alleviate. Even some civil rights leaders and welfare recipients in the nation's inner cities are criticizing the system for helping perpetuate...
Until now. Shepard, 42, last week unveiled A Lie of the Mind, the newest, longest (3 hours 45 minutes) and best of his 40-odd plays. Staged off-Broadway by the playwright, Lie superficially resembles yet another Shepardian slice of life among borderline psychotics of the underclass. It opens with the confession of an uncontrollably jealous man (Harvey Keitel) who has beaten his innocent wife (Amanda Plummer) and left her for dead. Before it is over, characters have been shot, pummeled, enslaved and murdered. Yet the play's real action is a coming to terms with the past...