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Word: underlaying (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...book that made his reputation in the profession--although it sold poorly--was The Interpretation of Dreams (1900), an indefinable masterpiece--part dream analysis, part autobiography, part theory of the mind, part history of contemporary Vienna. The principle that underlay this work was that mental experiences and entities, like physical ones, are part of nature. This meant that Freud could admit no mere accidents in mental procedures. The most nonsensical notion, the most casual slip of the tongue, the most fantastic dream, must have a meaning and can be used to unriddle the often incomprehensible maneuvers we call thinking...

Author: /time Magazine | Title: SIGMUND FREUD: Psychoanalyst | 3/29/1999 | See Source »

...sort of homage to longtime Lethal Weapon fans, the film ends with a not-quite-maudlin finale that merges with a multi-picture photo album underlay of the credits, but the real end of the movie comes fifteen minutes earlier, when Murtaugh and Riggs clasp each other and pause for a moment after vanquishing the last villain. They have come a long way from their early days, and the scene captures that feeling even for those who don't know the duo's history. Like that scene, the movie as a whole takes both characters a step past their development...

Author: By Elizabeth A. Murphy, CRIMSON STAFF WRITER | Title: Lighthearted Weapon | 7/24/1998 | See Source »

...compassion at age two until his escape to India at 24. Each film's strongest statement is on China's brutal, 46-year occupation of Tibet. But just as both open with the soulful moan of Tibetan horns overlapped by the eerie, two-toned chanting of monks, the spiritual underlay of both is Tibet's ornate, pacifistic Buddhist belief. Says Seven Years director Jean-Jacques Annaud of his film: "Buddhism is everywhere." And he is right. Pitt's hair shines with its usual otherworldly luster, yet it is upstaged by the inner glow of his Tibetan co-stars. "I have...

Author: /time Magazine | Title: BUDDHISM IN AMERICA | 10/13/1997 | See Source »

Somehow Ms. Adams manages to court pop sound and still keep her songs full of the unexpected and original. Strong elements of jazz and rhythm & blues underlay her instrumentals. For instance, David Sanborn solos on alto saxophone for Adams' smoldering version of James Taylor's "Don't Let Me Be Lonely Tonight." Adams' voice brings far more desperation and emotion to the lyrics than Taylor's version. Plus, the low-pitched crooning here will intensify your appreciation of her range in later cuts like Billy Joel's "New York State of Mind." The fact that these two songs...

Author: By Irit Kleiman, | Title: Survival of The Soulful | 12/2/1993 | See Source »

...news interrupted that quiet Sunday: the Washington Redskins playing the Philadelphia Eagles, Arthur Rubinstein as soloist in the New York Philharmonic broadcast, or just a visit with friends. Trying to explain the national sense of bewilderment, the TIME of that time reflected the kind of racism that implicitly underlay the basic American attitude. "Over the U.S. and its history," declared the weekly newsmagazine, "there was a great unanswered question: What would the people . . . say in the face of the mightiest event of their time? What they said -- tens of thousands of them -- was: 'Why, the yellow bastards...

Author: /time Magazine | Title: Day of Infamy | 12/2/1991 | See Source »

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