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Peter Cook stood on the center of the stage, the audience circled around him. He pointed to the left side of the room and twenty pairs of arms immediately went up in the air. He pointed to the right side of the room and twenty other pairs of arms flew...

Author: By Devon M. Newhouse, CONTRIBUTING WRITER | Title: Deaf Performance Entices the Senses | 2/17/2010 | See Source »

“The Devil and Mr Casement” succeeds in bringing the principal players of the story to life in brisk, unadorned prose, and with frequent recourse to historical sources. We cannot help but share Goodman’s obvious admiration for Casement, who had established his humanitarian...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Goodman's Detailed 'Devil' | 2/17/2010 | See Source »

The strength of “The Devil and Mr Casement” lies in the thoroughness of Goodman’s research and his assiduous fidelity to the historical record. But the tension of Goodman’s narrative ultimately slackens under the weight of his facts, which are...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Goodman's Detailed 'Devil' | 2/17/2010 | See Source »

On the fifth track, “Faculty of Tears” Hynes brings in yet another delightful instrumental element with the appearance of a violin, plucked lightly under the otherwise a capella chorus and sweeping above the verses. Mixed together with the otherwise simple percussion and guitar background, the...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Lightspeed Champion | 2/17/2010 | See Source »

The only real hints given are Virgil’s name, as well as John’s; he shares a last name with Dante. Without the knowledge of that framework, Rhode’s interpretation will seem like an arbitrary compilation of stories loosely pasted together under the pretense...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: St. John of Las Vegas | 2/17/2010 | See Source »

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