Word: underworlders
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...young Brendan Behan must often have dreamed of doing in the six years he spent soberly behind bars, rather than convivially touring them. He put those dreams to good use in this merry and murderous mock-suspense story about a professional impresario of escapes at work in the underworld of Dublin, and Paris...
...literary underworld abounds with stories about great writers who were also great pornographers. Mark Twain amused himself and friends with outhouse humor; so did Benjamin Franklin. Passages of Swift are brutally obscene. Byron and Swinburne both dipped their pens in blue ink, while even Thackeray could line out a lickerish limerick. Perhaps the most famous respectable smutmaster is Robert Burns, whose collection of bawdy Scottish verse has been circulating in more or less clandestine versions for more than 150 years. The collection as now published is as close to the original as scholarship is likely to achieve, bar ring...
STRAY DOG. A rookie detective (Toshiro Mifune) tracks a killer through the Tokyo underworld in a newly imported 1949 melodrama by Director Akira Kurosawa, which stirs up the rubble of postwar Japan...
...contrived that the audience at times must swallow it out of simple generosity. Mifune-appearing 15 years trimmer and every muscular inch a star-plays an idealistic rookie detective whose confidence is shaken when a pickpocket steals his .38 Colt on a crowded bus. He plunges into the Tokyo underworld to find it; and in a long sequence without a word of dialogue interrupting the flow of images, Kurosawa pulls the viewer right in after him. Mifune joins forces with a wise old sleuth (Takashi Shimura), and the two men track a killer through a series of crimes keyed...
...Court's determination to deal strictly with the law, not with personalities, surprised Costello, who had worried for years that his reputation as the ex-prime minister of the underworld would weaken his appeal. "If my name was John Jones I would be a 1-to-40 favorite," he said. But the Court was not concerned with gamblers' odds; characteristically, it simply treated Costello as if he were indeed John Jones...