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Word: underworlders (lookup in dictionary) (lookup stats)
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...filmmaker Nicolas Winding Refn, director and co-writer of the impressive “Bronson,” has made a name for himself hawking violence as a product. Most widely known for his “Pusher” trilogy that explores Denmark’s deadly drug underworld, Refn is surely more than aware of the parallel between himself and the subject of his sixth feature when it comes to making a spectacle of violence. “My name is Charlie Bronson,” whispers Tom Hardy, who delivers a superb, essentially solo performance...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bronson | 11/20/2009 | See Source »

...Yamaguchi-gumi alone. Everybody knows that the yakuza get money from bars and restaurants, construction companies, even private-detective agencies. But these days some of their principal businesses include securities trading and management consulting. They are increasingly, Jake Adelstein tells us in his gripping descent into the underworld, Tokyo Vice, like bankers "with guns...

Author: /time Magazine | Title: Mr. Vice Guy | 11/2/2009 | See Source »

...pimps, drug dealers, in short, anyone who offends their sense of right. “All Saints Day” sees the brothers lured back to Boston from their Irish refuge by killings copycatting their coins-in-the-eyes trademark. Once again they find themselves embroiled in the Boston underworld, with no choice but to gleefully resume (stylishly) shooting up the city...

Author: By Sanders I. Bernstein, CRIMSON STAFF WRITER | Title: The Return of Boston's Patron 'Saints' | 10/30/2009 | See Source »

...Dafoe’s investigative astral projection scenes from the first “Boondock Saints.” Benz—notable for her role in the 2008 remake of another cult classic, “Rambo”—gracefully mimes the seedy ballet of underworld gun fights, ducking imaginary bullets while cooing hypotheses to her flabbergasted colleagues...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: The Boondock Saints II: All Saints Day | 10/30/2009 | See Source »

Prayers and guides to the underworld cover the wood. One panel features Djehutynakt’s conversation with Ra during his passage through the underworld. Fragments of the hieroglyphs, translated for the viewer, suggest a vision of the afterlife that could rival Dante’s. “Dog-face, whose shape is big. This is a spell for passing by him,” one segment reads...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Looking A‘head’ to the Egyptian Afterlife | 10/30/2009 | See Source »

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