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...then another and another glass in Canton's plentiful blind-pigs. People in bawdy-houses are seldom all asleep by 12:30, and last January 108 such houses flourished in Canton's three tougher sections, "The Badlands," "The Hole," and "Whiskey Centre." Gunmen and lords of the underworld are not asleep just after midnight. Instead that hour is the dawn of their working day. Many of these sat muttering guardedly in Canton...

Author: /time Magazine | Title: National Affairs: Corruption | 7/26/1926 | See Source »

...acting, to dwell on a more pleasant subject, is entirely good. Those who saw some genius in the great hulking, tobacco chewing mule skinner of the "Covered Wagon," and later the king of the underworld in the "Hunchback of Notre Dame," will let his presence in the cast alone for a be the multitude of sins. If you have never seem him shaved and in the conventional after 6 o'clock dinner jacket it would be almost worth the chance to look. Then there is a hero who first gained fame because of a powerful jaw which looks well under...

Author: By H. B., | Title: CRIMSON PLAYGOER | 6/1/1926 | See Source »

...Little Irish Girl (Dolores Costello-Johnny Harron). This tale of the San Francisco underworld affords Dolores Costello the opportunity of playing the decoy for a grimy cafe of doubtful purpose. While she is concentrating on the business of luring in as many pocketsful of money as possible, there swims into her calculating ken the inevitable handsome youth - with whom she falls in love and to whose farm her comrades in crime depart in a body. Whereupon his grandmother proves that sharp wits are not all urban products. Miss Costello contributes another of her decorative and deft characterizations...

Author: /time Magazine | Title: New Pictures: May 24, 1926 | 5/24/1926 | See Source »

...remarkable success achieved by Austin Strong in this play may be equally attributed to the poignant mixture of humor and a little patnos in his characters of the Parisian underworld, and to a highly trained and sympathetic group of players. The part, circumstances, and events form an adequate, if not a completely convincing framework, and for the first two acts at least the action is dynamic. The problem, if one exists at all, is a bewildering combination of theology, various kinds of complexes including the inferiority type, and the power of suggestion. If taken seriously it is ineffectual...

Author: By H. C. R., | Title: THE CRIMSON PLAYGOER | 3/24/1926 | See Source »

...street washer, a golden-haired wife and enough money to make "le grand four" in a Parisian taxicab, Mr. Louis D' Arclay is the dominating and driving force of action. His remarkable facility of facial and bodily expression, are the embodiment of all American traditions for the Apache underworld of Paris. Mr. John W. Ransome as Boul, short for boulevard, nearly lost himself in enthusiasm for his part and shouted his way to fame. As a lightfingered taxi man he harbors much too warm a heart, and the humor for a really humorous part. As Pere Chevillan, a jovial kill...

Author: By H. C. R., | Title: THE CRIMSON PLAYGOER | 3/24/1926 | See Source »

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