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Word: underworldly (lookup in dictionary) (lookup stats)
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...Toronto Film Festival last week, the gun is seen as a virtual urban plague that ends young lives, sunders families and turns schools into maximum-security prisons. Andrew Niccol's Lord of War imagines that a Ukrainian-American named Yuri (Nicolas Cage) could rise through the arms-dealing underworld, Scarface-style, spreading the virulence around the globe. There's "one firearm for every 12 people on the planet," Yuri says. "The only question is, How do we arm the other...

Author: /time Magazine | Title: Movies: Sticking to Their Guns | 9/18/2005 | See Source »

...hand bejeweled, and the hair styled perhaps by radio star John Laws' barber. But it is the soft voice, as if medicated, that insinuates most. Even the early-'90s Jaguar his nouveau-riche "businessman" drives was chosen by Neill, who used legal contacts to get in touch with underworld figures for research. But it is the character behind the fa?ade that Neill articulates best. In one of the film's most poignant scenes, the Jockey, who is estranged from his wife and secretly gay, thanks his henchman for his "trust and discretion." Here it is as if Neill is conspiring...

Author: /time Magazine | Title: Smooth Operator | 8/29/2005 | See Source »

...Class of ’09 is not only exploring Harvard’s cyber underworld to uncover secret roommate information, but also to discuss classes, computers, and college cuisine...

Author: By Natalie I. Sherman, CRIMSON STAFF WRITER | Title: Clever Freshmen Used Phone Numbers To Discover Their Rooms | 8/12/2005 | See Source »

...movies like this one are not about story. They are about--dare we say it?--lifestyles. XXXX must occasionally venture into the darker depths of the underworld, visiting dank crack pads and scuzzy lairs where money is laundered or drugs cut for street sale. These director Matthew Vaughn presents with a glum and familiar realism...

Author: /time Magazine | Title: Movies: Slumming with the Brits | 5/15/2005 | See Source »

...production by Charles Ludlam, founder of New York's Ridiculous Theatrical Company, turns the opera into a tragicomedy in the vein of a 19th century melodrama, but one with a pointed moral. In a season that also includes Mozart's The Marriage of Figaro, Offenbach's Orpheus in the Underworld and Strauss's neglected Die Liebe der Danae, Santa Fe has proved once again that it is the most adventurous, if not to say eclectic, opera company around. --By Michael Walsh

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

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