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...muralists headed by David Siqueiros and the late Diego Rivera. As a result, he leads the life of a wandering expatriate, painted this week's cover in Paris. He recently finished another Paris commission-a mural depicting Prometheus bringing heavenly fire to men, in the newly opened UNESCO headquarters-and reproduced this week in color...

Author: /time Magazine | Title: A Letter From The Publisher, Dec. 8, 1958 | 12/8/1958 | See Source »

...since the Eiffel Tower was topped off in 1889 have Parisians raised such a hullabaloo about a structure. The new $9,010,000 UNESCO Headquarters is a mammoth (by Paris standards) concrete complex that soars up 95 ft. to the top limit allowed by Paris' building code, and spreads over 7½ acres. Where were the plain grey façades, balconies, front-to-sidewalk walls and classical details? Every tradition lover in town was up in arms. To make matters worse, the new structure was directly across from one of the gems of 18th century architecture-the revered...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

...years ago in the kind of comedy of confusion that all Frenchmen relish. A group of five architects, Les Cinq (France's Le Corbusier, Brazil's Lucio Costa, the U.S.'s Walter Gropius, Sweden's Sven Markelius, Italy's Ernesto Rogers), was picked by UNESCO to name Les Trois who would actually design the building. The site was changed twice to placate the jittery guardians of Paris' celebrated skyline. With that act over, the U.S.'s Marcel Breuer, Italy's famed master of concrete, Pier Luigi Nervi, and France's Bernard...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

Patterns in Sun. For the office building needed to house UNESCO's 1,080 permanent employees, Breuer found a functional solution: a Y-shaped structure (without air conditioning) that would give maximum light and air for the 600-odd offices. The elevators, stairs and toilets were grouped in a central service core at the axis of the prongs. To cut down glare from floor-to-ceiling windows, Breuer incorporated a variety of sunshade devices (horizontal sun-louvers, vertical slabs, extended brackets holding panes of thermal glass) that varied according to the various sun conditions and enriched...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

Failures & Favorites. UNESCO commissioned twelve famed artists, plus designers of 19 countries, to give the finishing touches. In part because the buildings' own vibrant plasticity is almost self-sufficient, in part because artists were brought in after the structures were designed, art and architecture more often clash than chime. Cases in point...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

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