Word: unfairnesses
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Dates: during 1950-1959
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First down the ramp was Massachusetts' Jack Kennedy, who agreed that the compromise 1959 Labor-Management Act (TIME, Sept. 14) "contains many unfair and unsound and one-sided provisions," promised more favorable legislation, including a boost of minimum wages from $1 to $1.25 per hour in the next session. As for his own record, he had no regrets: "Jimmy Hoffa may not approve of me, but I do not apologize for having earned his hostility." The delegates gave Kennedy a rousing, standing ovation...
...stronghold tradition of parietal hours has, over the years, been chipped away, undergraduates have become, not less, but more responsible. Of course, Masters are, by their nature, a reticent lot, holding back where possible, conserving a tradition in the face of criticism; but it seems blatantly unfair to assume that if an argument for the responsibility of Harvard students has to be made it must necessarily come from the undergraduates themselves. Surely the Administration does not have to await a show of militancy before it acts for the benefit of the student body...
...Frenchman," and in some respects looks the part. But at various times in his meteoric career this tough, confident and shrewd man has been described as "the Molotov of Gaullism," "Jacques the Wrecker," "the Big Alley Cat," "a born secret policeman," and "the most dangerous man in France." However unfair some of these epithets may be, dynamic Jacques Soustelle today at 47 has more political potential than any other Frenchman save Charles de Gaulle. It is a potential respectfully conceded even by many who fear...
...their vantage point inside the Citizen's city room, Franken and Grove expanded this charter into a broadside attack on the faults of the Columbus press, peppering not only the Citizen but its bigger rival, the Dispatch (circ. 185,437): "We believe the Columbus Dispatch has been grossly unfair and inaccurate in its reporting...
This seems an unfair fate for what is perhaps Mr. Williams' major contribution to the theatre, the only reasonable competition being The Glass Menagerie. Sure it contains all the "sick" elements that have become so exhaustively familiar in his more recent work--the mendacity, the liquor, the sex-starved woman, the stud male, and so on. But the most distinctive characteristics of Williams' writing are his vivid and powerful command of language and his fascinating use of rhythmic speech patterns--sometimes lyric, sometimes syncopated like a primitive drum...