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...enough, the back of the jacket features another close-up, albeit in black and white, which isn't nearly as impressive as the picture on front. But while in the store, the Olivia fan will only be able to speculate about the nature of the picture that will unfold when the record is opened...

Author: By Marc M. Sadowsky, | Title: For Boys Only | 10/28/1977 | See Source »

...first time in the long and glorious history of Radcliffe crew, a woman will be coaching at Weld Boathouse. As the 1977-78 campaign begins to unfold, Carrie Graves is the newest face along the Charles, and she faces a big test as the rookie coach of the Radcliffe heavies. But Graves's background in rowing gives her a stable foundation from which to work. She spent three years at the University of Wisconsin as the stroke and captain of the women's team, a team that has kept Radcliffe company in the national top five rankings for the past...

Author: NO WRITER ATTRIBUTED | Title: An Experienced Rookie | 10/21/1977 | See Source »

...ready to applaud the arrival of a new "school" of film. And once the Sarrises and Gilliatts affix their all-important seal of approval, off go the chic-conscious lemmings ready and willing to plunge into a two-hour morass of clipped dialogue and plots that never really unfold but merely plod...

Author: By Joe Contreras, | Title: Through A Lens Darkly... | 9/20/1977 | See Source »

Sails move continuously through Ted Hood's sail loft, from cutting and sewing rooms upstairs to finishing and storage rooms below. Similar patterns repeatedly form on the large wooden floors as workers unfold and spread out the sails to measure, cut and apply serial numbers to them. Designed in part by computers, the sails are made from special cloth manufactured by the Hood company in Marblehead and Fall River. This tightly woven cloth maintains sails' shapes without the customary use of resin which can disintegrate under stress and weathering...

Author: NO WRITER ATTRIBUTED | Title: Marblehead's Hood | 5/25/1977 | See Source »

...they break down the rhythms and patterns into an elaborate, jazz-like chaos and then reassemble the component parts into another song. These acid-jazz jams comprise some of their best music, like "Dark Star," "Walk Me Out in the Morning Dew," and "The Other." Dead concerts unfold like four-hour medleys as each song gradually gives way to the next. The great theme of the band is departure and return--the trip, metaphorically or literally. Not only does their music describe this pattern, but their lyrics almost invariably deal with travel (I doubt that any group sings the names...

Author: By Thomas W. Keffer, | Title: A Long, Strange Trip | 4/30/1977 | See Source »

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