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...crowd in the House galleries filled every seat, overflowed into the aisles. Over both the galleries and the floor of the House brooded a hush of expectancy, as if some history-making drama were about to unfold...

Author: /time Magazine | Title: The Congress: Darkened Victory | 2/10/1961 | See Source »

Around this basic maneuver Schwartzwalder has built a system of plays that unfold with the relentless logic of a theorem in geometry. "We keep slamming that fullback off-tackle, and the defense has to bunch up to stop us. So the quarterback will fake the ball to the fullback and run outside himself, or pitch out to the tailback who's trailing him. Now they've got to bring up their secondary. That leaves them weak for option passes thrown by the tailback...

Author: /time Magazine | Title: Sport: Coach Ben | 10/31/1960 | See Source »

...many athletic skills as winning the decathlon. Ideally, the safety man must have the speed of a sprinter to keep up with whippet-fast backs and ends as they break for passes. He must have the wit to diagnose plays in advance, the instinct to follow them as they unfold. He must have the strength and guts to hurl himself head-on at a 230-lb. fullback. And he must learn to live with the chilling reality that as the last line of defense, every time he makes a mistake the enemy gets six points. In the N.F.L., the safety...

Author: /time Magazine | Title: Sport: Playing Safety | 10/10/1960 | See Source »

...long time. Packaged by David Susskind, it effectively utilizes a formula first laid out by more modest shows like Day in Court and The Verdict Is Yours: the simulated hearing or trial. The first episode grilled a fictional "Lucky" Luciano. While the case did not unfold too coherently, and the crowd noises in the simulated hearing room were badly overdone, the program spectacularly captured the disorderly drama of committee hearings, with all their rambling language and flashing anger. Telly Savalas, a comparatively unknown actor, was superb as Luciano-full of gutter cynicism, arrogance, brutality, and yet at moments pathetic...

Author: /time Magazine | Title: Show Business: The New Shows | 10/10/1960 | See Source »

...stated explicitly in that time. His film bears a heavy load of symbolism, of scenes such as the one in which swinish revelers set fire to one lavish apartment and then reel off drunkenly to another. Visions of a society's dying past and corrupt present unfold themselves long after the film is over. It is not society, however, but Actress Daniel's journey from innocence to disillusion that is the core of the story, and her thoroughly convincing portrayal ensures that the viewer's most vivid memory is of the girl...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 5, 1960 | 9/5/1960 | See Source »

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