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...deal with lesbianism as an issue. The suddenness and irreversability of Lianna's decision make the fact that she is a lesbian almost incidental to the story. In contrast to other recent movies about homosexuals, for example Making Love, homosexuality is not central to the theme. Lianna would unfold no differently if its characters were heterosexual. Rather, it focuses on liberation and the price Lianna has to pay to be free...

Author: NO WRITER ATTRIBUTED | Title: Coming Out | 3/15/1983 | See Source »

...stories are weak, understandably given the brevity of the author's creative life. But even the less effective selections are interesting, and the artistry of most of this work makes it an evocative elegy for a darkly beautiful region, and for the haunting struggles of the lives which unfold there. The edition includes a foreword by James Alan McPherson and an afterward by John Casey, writers with whom Pancake worked at the University of Virginia. The give us an idea of the talented troubled man who wrote these stories and tactfully offer a few hints to the mystery...

Author: By Robert E. Monror, | Title: A Single Flame | 2/28/1983 | See Source »

...impossible to watch this plot unfold without rooting for the underdog and then remembering that Cruz is as bad as his pursuers, a wildcat crook with delusions of grandeur. Palmer does not blink at Cruz's venomous ethics, but he sinks this character in a landscape of almost unrelieved corruption. He portrays a Miami and environs where the heat is always on: "The sun was a bludgeon hanging over the landscape, poised to smash whatever might attempt to set itself above the level, and nothing larger than a dragonfly dared to venture into its sight; not from lassitude...

Author: /time Magazine | Title: Books: Murder on the Cocaine Express | 1/17/1983 | See Source »

...book, the young Southern narrator, Stingo (Peter MacNicol)--evidently based on Styron himself learns only gradually that the beautiful woman who lives upstairs in his boardinghouse is haunted by a terrible past. Extended flashbacks, shot on location in Europe with English subtitles, slowly unfold the extent of that terror up to Sophie's final and tragic "choice," so that the viewer's reactions parallel Stingo's own. Longer than the conventional flashback, these sequences demonstrate Pakula's scrupulous care in reproducing Styron's tone. An actual concentration camp in Yugoslavia forms the background, and Meryl Streep as Sophie appears with...

Author: By Amv E. Schwartz, | Title: Letter Perfect | 1/6/1983 | See Source »

Amidst her blatant passion for Sloan, various other subplots unfold--including the homosexual relationship between Ed and Sloan and the father's recognition of Sloan. All these developments climax in one explosive monologue by Sloan, revealing his depraved and destructive past. Samols leaves us breathless from this speech and his ensuing violence, which finally lead Kath and Ed to a brutal fight over Sloan...

Author: By Rebecca J. Joseph, | Title: Behind the Iron Door | 10/27/1982 | See Source »

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