Word: unicorn
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Dates: during 1970-1979
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...have a defect," says Amanda--Laura. Laura evokes only sympathy, smothered in abuse and pain, hopelessly shy, wandering alone in her own world of phonograph music, long winter walks and dear glass creatures. Williams is at pain to show that she most resembles her favorite glass friend, a tiny unicorn--"aren't they extinct in the modern world?" who is "crippled" by his horn but loses it in an accident, suddenly, like all the other glass horses, less freakish...
...biggest laughs occur when Walter Matthau, as a square married man, wakes up one morning to find a whore passed out in his bed. His wife (Elaine May) arrives, and what to do? The ensuing low farce is Simon's variation on James Thurber's The Unicorn in the Garden, and the team of Matthau and May roast an old burlesque chestnut to a perfect crisp...
...good cartoon book is an oblong entirely surrounded by laughter. Among the merriest: Stop Trying to Cheer Me Up! by Frank Modell. One of the most versatile of The New Yorker's cartoonists, Modell is equally at home with animal gags (Pan using a unicorn horn for a corkscrew) and domestic explosions (father to a small boy who has nailed his Christmas stocking upside down: "You call that hung by the chimney with care?"). The Book of Terns by Peter Delacorte and Michael C. Witte is something else again. Every conceivable pun on the bird-word tern is illustrated...
...present emergency, Britain is no longer represented by the Lion and Unicorn. Its new emblem is an owl. His name is George Smiley and he is by all standards a most incongruous symbol. The man is a perpetual cuckold. He is portly, rumpled, bespectacled, with a tendency to puff when ascending stairs and to polish his glasses with his tie. He is donnish and vague. He is also the premier spy of his time...
...UNICORN TAPESTRIES by Margaret B. Freeman. 244 pages. The Metropolitan Museum of Art/Dutton. $45. The seven magnificent tapestries depicting the hunt of the unicorn (on permanent display at the Cloisters in Manhattan) dazzle the eye. Woven into the tapestries' more than 1,000 sq. ft. is a graphic portrait of the medieval mind, frozen at a time (circa 1500) when thought was beginning to shift from heaven to earth. Thus while the tapestries tell the story of a bridegroom brought to the altar and of the death and resurrection of Christ, they also show the realistic hunt...