Word: unison
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Dates: during 1960-1969
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...most famous one, when he addresses the Roman plebs at Caesar's funeral in the Forum. Here he lacks sincerity and sonority. The crowd, however, handles itself rather effectively in this scene, emitting a susurrus of suspense before Brutus' harangue, and erupting into noisy iterations of a metrically unison spondee-anapest pattern before Mark Antony...
...when or who will be on it. The Med School lightens its first-year students work load. Summer school applications are up 300 per cent. Freshmen are assigned to Houses, but almost all of them strike out on "substantial." A few turn their room lights off and on in unison and then rush outside making animal noises, but fail to capture the popular imagination. One day later 1000 students gather in the Square and shout "Jaywalk! Jaywalk!" They then repeatedly cross Mass on the "Walk" signal...
...music is often made up of electronic squeals, tics, toes, street noises and shaped silences-in a recent recital at Manhattan's Y.M.C.A., three musicians solemnly performed a modern work composed of exhaling in unison, slapping thighs, rhythmic stamping and throwing things. New dances almost always alarm the conventional, but more than a conventional change seems to have occurred with the frug and its successors-including the alligator, in which a couple lies down on the floor and starts writhing rhythmically...
Iolanthe conveniently divides its chorus into two parts: noblemen and fairies. The noblemen in the current production have been inadequately directed all around, and they neither sing clearly nor move in unison. For the most part the fairies fare better, but they too have their troubles. One had a noticeable case of laryngitis last night...
...Schein with Bach's D major Suite--cleverly illustrating the evolution of derived dance forms. Bach ambitiously divides his instruments into three groups; trumpets (3) and timpani, oboes (3) and bassoon, and strings and continuo, giving to each both entire sections and incidental passages, bounded by two movements in unison. Jackson's approach emphasized accents and pulse rather than singing line; he propelled all but the ponderous Overture quite effectively. Solo playing varied from highly impressive (the oboes in the second Bouree) to characterless (the strings in the Trio...