Word: unknowns
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Dates: during 1950-1959
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...nights a week, shapely, 36-year-old Lydia Lova takes her third-from-the-left place in Paris' famed Folies-Bergère chorus line, prances onstage dressed in not much more than a few sequins, a plume, and her smile. Unknown to most Folies patrons, Lydia Lova is in reality 2nd Lieut. Lydia Danuta de Lipski, one of France's greatest Resistance fighters. Last week the French government prepared to add the Legion of Honor medal to the Croix de guerre with bronze star awarded her by General Charles de Gaulle...
...This is the metaphor at the core of this cruel, powerful picture from France, in which the New Wave of cinematic creation matches the high-water mark established by Black Orpheus (TIME, Nov. 16). Like that film, The 400 Blows (Les Quatre Cents Coups) is the work of an unknown: a 27-year-old cinema critic named Francois Truffaut, who made the film for only $110,000. Last May the picture won him the Cannes Film Festival's award for the year's best direction, and it is expected to make about...
MARTEREAU, by Nathalie Sarraute (250 pp.; Braziller; $3.75). This novel, by the author of the diamond-hard Portrait of a Man Unknown (TIME, Aug. 4, 1958), suggests that reality, like a geometer's plane, has only surface, no depth. A young male invalid, living with his rich aunt and uncle, develops an obsessive womanish curiosity about manners and motives. He becomes acute enough to predict the exact course of his relatives' household skirmishing, and concludes therefore that he understands the skirmishers. His error does not matter until he begins analyzing Monsieur Martereau, a family friend-a steady, solid...
...smell of tobacco emanates from the sofa cushions. Who is responsible--the butler, Susanne herself, or an unknown lover who sneaks in when the master of the house slinks out? Far be it from me to tell; I'll say only that Wolf-Ferrari here did for cigarette-smoking in 1909 what Bach had done for coffee-drinking in 1732 with his comic operetta, the Kaffeekantate...
...Becoming a good teacher," said a veteran New York City public-school teacher, "has more in common with the process of becoming a good boxer or a combat soldier [than with medicine]. You do not have a subdued and cooperative patient; you have a mixed bag of restless unknown quantities in one room, no two of whom will react the same way. You get your brains knocked out a few times, and you get blown up several times. If you are a born teacher and not one fabricated by the professors of pedagogy, you become a first-class veteran, able...