Word: unrealized
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Dates: during 1950-1959
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...moment, all the plane fights and the round-table concurrences had that curiously unreal air of things desired but not yet accepted as urgent. Yet Dillon's trip, said the Economist, "could just conceivably be the exploratory prelude to the most important development in international economics since General Marshall launched his plan of 1947 on that flood tide in Atlantic affairs that has so spectacularly led on to fortune . . . Now everything suggests that a new tide is racing which could determine whether the decade and a half from 1960 to 1975 will repeat the last 15 years of success...
Upton Sinclair has always been the most unreal character in his own books. He proves this once again in Theirs Be the Guilt, a re-edit of Manassas, which he wrote 56 years ago. Sinclair, then 24, was living in two tents near Princeton, NJ. and doing research from books hauled from the university library in a rented horse and buggy. Years have left the innocent style intact-a genuine fustian or homespun purple-as well as the sentimentality, which would shame Dickens for a cynic. Thus the novel is not only a publishing oddity but it gives a rare...
...regrets not having "poured out his soul," but he wisely suppresses the impulse again when, in his presence. Abraham Lincoln worries about the Constitution and tells two stories of doubtful humor. Most of the speeches and conversations of the great sound authentic; only the hero, Montague-Sinclair, is unreal. He is, nevertheless, an engaging figure to the connoisseur of the absurd in fiction-a kind of Candide without Voltaire...
...much the most coherent performance of his film career and he is fairly well supported by Dean Martin and Shirley MacLaine. The main trouble with the picture is the perhaps inevitable one that the characters are so actorish and attitudinous that they come to seem phony, and their problems unreal. They are so passionately and exclusively interested in themselves that the spectator may sensibly conclude that they do not need any interest from...
...most of Blue Denim will not quite wash. All the good intentions of Producer Charles Brackett fail to keep the picture from looking like a rerun of an old Studio One Summer Theater. It is too often stilted, static, unreal, and riddled with tasteless jokes and cliches that would embarrass Helen Trent. It is also awkwardly resolved: the play ended with the girl surviving the abortion-and only then did the walls of noncommunication tumble -but the movie tacks on a climactic chase in the night, in which the boy's father snatches the girl from danger, then gives...