Word: unrealness
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...Washington a worried little group of Britons and Canadians sat down to discuss with their U.S. opposite numbers what measures could be taken to save Britain from economic disaster (see INTERNATIONAL). To much of the U.S., sunny and prosperous in the late summer, the British crisis had an unreal look to it. Many a citizen could only take it on faith that behind the talk of the dollar gap, Britain's inadequate production and devaluation of the pound lay a dire threat to the stability of the Western World. In Washington, where men faced one another across the conference...
...Turnips. The critics were kind, found some subtleties to admire in his abstractionist experiments. Said the New Statesman & Nation: "This Universe of ghosts with turnip heads and scrolls of tin for bodies is by no means unreal . . ." But what interested gallerygoers most were Lewis' portraits of some of his literary friends, e.g., Poets T. S. Eliot, Ezra Pound and Stephen Spender. Using the diluted cubism that gives all his work a curiously geometrical air, Lewis had hit off an easily recognizable likeness every time...
...caring for his young bride (who died after a year and a half of marriage), Emerson revolted against what he called the "official goodness" of his position. The arguments that led to his resigning his pastorate (his refusal to administer the Lord's Supper) seem somewhat unreal in this account; more clearly traced is his growing conviction that the only way he could be a good minister was to leave the ministry...
...story concerns a Manhattan artist, Joseph Cotton, who is striving to find himself, and the, unreal Jenny, or Jennifer Jones, who becomes his inspiration. He meets her first in Central Park, notes her pre-World. War costume and later discovers the newspaper she is clutching dates from the turn of the century. As he grows to know her better, the artist becomes more wary of the ethereal quality of his friend and there are several good scenes as the two talk about the future and the past, one never believing the other, but never really doubting. His Portrait of Jenny...
This indigestible lump of melodrama is leavened now & again by a stretch of slapstick which is equally unreal. The only real moments, in fact, are provided by Gloria Grahame, who proves once again, as she did by her performance as the sullen taxi dancer in Crossfire, that she can be one of Hollywood's most convincing chippies...