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Bill T. Jones is not crossing the lines of reality and theater in Still/Here, as New Yorker dance reviewer Arlene Croce complained in her criticism of the piece, unseen by her [Culture, Feb. 6]. The theater is usually a reflection of reality. Maybe this reflection is too close to the surface for Croce. By including in his work people who are suffering from AIDS, Jones is being honest about his themes. Isn't it often said, ``Write about what you know''? People should, by that logic, dance and talk about what they know. The people involved in the piece...
...Tony, a flamboyantly gay barber; Barbara, a tough-doll beautician; Eddie, a shady dealer in antiques; the patrician Mrs. Shubert; and two other salon customers who are soon revealed as detectives. They're staking out the building's upstairs tenant, Isabel Czerny, a reclusive concert pianist. Sure enough, the unseen Isabel is murdered. O.K.-whodunit...
Museum of Science. Science Park, Boston.723-2500. Exhibits include "The Observatory,"featuring infrared and ultrasonic sounds andimages of unseen events; and "The Test Tube," anexhibit of some of the museum's work-in-progressfor upcoming exhibits. Laser show "Pink Floyd:Dark Side of the Moon," "The Police,""Lollapalaser" and "Dream On: The Music ofAerosmith." Omni Theater. Planetarium...
Harrop, who lives in Providence, R.I., is onthe national board of trustees of Sigma Chi. Hebought the house, sight unseen, on April 13, 1992,after Light inspected the property, according torent board records...
...where they go wrong. That's the case here. The misanthropic and mysterious Hedley becomes increasingly important to the plot and increasingly difficult to understand, undercutting the narrative drive and distracting the audience's attention from Floyd. At the same time, Floyd's money problems begin to involve several unseen characters. Instead of accelerating its pace and distilling its themes in its second half, Seven Guitars slows down and muddies...