Word: unseen
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...muscular student in the shower stall of the kendo academy where she scrubs floors. Matador: a beyond-gorgeous woman picks up a stranger, makes violent love, then stabs him to death with her hatpin. Law of Desire: a young stud is directed through some steamy autoeroticism by an unseen older man. Shock the bourgeoisie? The opening scenes in Pedro Almodovar's films seem designed to shock the Borgias. And that's just for appetizers. The one aesthetic commandment of this Spanish writer-director might read: Begin in delirium, then floor it till the closing credits...
Sadly, the answers Imagine offers are not satisfying. Considering that Yoko Ono not only gave Wolper and director Andrew Solt access to countless hours of previously unseen footage but also gave them creative control over the final product, Imagine could well have been the definitive film about John. Unfortunately much of the footage is ill-chosen, and at an hour and a half, the film is much too short. Still, while Imagine fails as a comprehensive biography, it may help neophytes understand Lennon's appeal, and fans may find Imagine a poignant and occasionally amusing exercise in nostalgia...
...Bergman rarely strikes the customary autobiographical notes of nostalgia and the tranquil acceptance of fate. To him, middle-class morality is a cloak for madness, family life an invitation to distraction and guilt. Neither helps one come to grips with decay, eroticism, violence -- those irrational torments by which the unseen world insists on its presence in our lives...
...ones in the cast -- Carter, Ken Page and Armelia McQueen -- are just as fleshily beguiling as before. They jiggle and strut with weighty grace unseen since the heyday of Jackie Gleason. The skinny ones -- Andre De Shields and Charlaine Woodard -- stomp and slither like sticks turning into snakes. The years have changed nothing except to add emotional texture. McQueen is still cute, but now conveys heartache beneath. De Shields has ripened from Superfly sleekness into a leading man's virility. The biggest change is in Carter, whose widely publicized battles with weight, cocaine and star-size ego have enriched...
They also provide individual spotlights. Page is uproarious as he explains to an unseen partner that he cannot love her because Your Feet's Too Big, and he and De Shields are a hoot expressing scorn and envy for a rival whom they see as Fat and Greasy. De Shields belts 'T Ain't Nobody's Biz-Ness If I Do in an up tempo that may be delightfully surprising to fans of Billie Holiday's torchy rendition, and revels in marijuana in The Viper's Drag. Woodard, too little used, nonetheless glows in Keepin' Out of Mischief Now, while...