Word: upon
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Dates: during 1960-1969
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...Quaker defense has been almost as tight as Harvard's, allowing only 45 points in five games. Penn relies upon quick penetration by lanky ends Charles Ketchey and Chuck Aho and the aerial banditry of George Burrell...
...drink any deadly thing it will not hurt them." The snakes, which are kept in special boxes by leaders of the congregation, are usually brought out as the climax to frenzied revival meetings that may last for as long as four hours. "When the ecstasy of the Lord is upon you and you take up serpents," explains Mullins, "you have no fear. You got to believe this yourself. If you move too fast sometimes, or too slow, you'll get bit. But if you are under the anointing power of God, the serpent won't hurt...
...monster of Expensive People is a gross 18-year-old named Richard Everett with an IQ of 161 and a neurosis to match every one of his 250 pounds. In a memoir that sometimes reads like Compulsion as told by Holden Caulfield, Richard wanders through his traumatic childhood, concentrating upon his twelfth year when he blossomed out as a child murderer...
...heroine cannot decide what novçelist's nightmare she has stumbled upon. Confronting a homicidal maniac, she says: "I was drifting between James M. Cain and Kathleen Norris." Unfortunately, that is also the drift of Sagan's seventh novel, which is a little more weird than her usual blend of native wit and updated Colette. The characters and setting are American, but Dorothy Seymour, Hollywood scriptwriter, may as well be one of Sagan's Parisian cocottes: she wears St. Laurent copies, vacations on the Riviera, suffers liver attacks and has a quintessentially Gallic attitude toward love...
Whatever the reason, he has no particular personality to insist upon, "no voice or stance, as we say in the English Department." He seems most comfortable when he can play someone else's part. He has a talent for doing voices and a heavy, mobile face that suggests the prosperous Dutchman who sat for Haals. In the language of the old screen comedians, his imitations produce the boffo--the laugh that kills. He usually delivers the lines sitting down, leaning forward over the table or desk. He moves the corner of his lip up toward his car, smooths the thinning...