Word: upon
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Dates: during 1960-1969
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...trim-tab on Intrepid's keel. I am the holder of U.S. and Canadian patents which cover this particular feature of a keel flap and a separate rudder. For the purposes of the 12-meter boats involved in this year's series, no restrictions were placed upon use of the feature. Nevertheless, it is not in the public domain, and its future application remains subject to patent...
...that "The U.S. has guaranteed South Viet Nam's independence" [Aug. 18] serves as a fitting climax to a long series of careless TIME generalities about the war. What we have indeed guaranteed for the South Vietnamese by our intervention is their increasing dependence: For the Saigon generals, upon the U.S., its troops, and its bombs; for the nationalist forces, upon Hanoi, Peking and Moscow. Whichever side prevails, independence will be more remote than ever...
This convocation calls upon the nation to end once and for all the shame of poverty amid general affluence. Private industry must greatly accelerate its efforts to recruit, train, and hire the hard-core unemployed. When the private sector is unable to provide employment to those who are both able and willing to work, then in a free society the government must of necessity assume the responsibility and act as the employer of last resort or must assure adequate income levels...
This convocation calls upon the Federal Government to develop an emergency work program to provide jobs and new training opportunities for the unemployed and underemployed consistent with the following principles: > Cooperation of government and of private industry to assure that meaningful work is available. > Concentration on the backlog of employment needs in parks, streets, slums, countryside, schools, colleges, libraries and hospitals. The program should have as its first goal putting at least 1,000,000 of the unemployed into productive work at the earliest possible moment. > The program must provide meaningful jobs-not dead-end, make-work projects...
...enough educated to cope with the city's mechanized realities, yet bound to an ancient morality. The husband (Anil Chatterjee) can accept the fact of his wife's working, but not the lipstick she must use on the job. The wife (Madhabi Mukherjee) looks with childlike eagerness upon her newly won status, but goes to pieces before the in-laws' condemnation...