Word: upon
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Dates: during 1970-1979
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...government. This is a tremendous change in the system, but because of the government's uncertainty as to the short-term effect of this principle, they weren't quite prepared to phase out the 72 hour ruling at once. (Any non-European unable to produce a pass upon demand is subjected to 72 hour detention.) If the job and house principle would work in practice, then I think I would be in a position, I hope, to phase out the 72 hour thing very quickly. On the question of the so-called pass law, I've stated publicly in Parliament...
...ONCE UPON A TIME, Harvard had a brilliant idea. Forecasting increases in energy prices and decreases in supply, the University decided to build the Medical Area Total Energy Plant (MATEP). MATEP, designed to provide energy to the medical schools and Harvard's affiliated teaching hospitals, would be the largest co-generation plant in America. On paper, it looked great--steam chilled water and heat all from the same diesel engines, and $2 million in annual savings...
...would be to endure. Yet the sequence has value, revealing through the action of the rapists rather than through abstract discussion the psychology of this sort of criminal, which centers on the need to victimize and abase. It also reveals, as no other film ever has, the horror visited upon the woman. No one who witnesses this scene will ever be able to dismiss the subject casually...
...Upon their release, the trio are invited to a meeting in a warehouse loft. There an itinerant upper-echelon Muslim urges them to start executing whites in order to achieve the elevated status of Death Angel, a role that confers a kind of perverse respectability. Each of the neophytes must kill nine men, five women or four children. Murdering the young earns more points because the act requires more "heart." On the eve of the killing spree the loft becomes a staging arena for a combination of horseplay and unfocused hatred: " 'Kill! Kill! Kill!' The chant...
...hint that the Lampoon itself, and its members, might be just as amenable to satiric deflation as, say, protesters at Seabrook. I mean a comedy that picks the facile targets, the obvious cretins, the people its easy to be supercilious to. I mean a comedy that intimidates, that plays upon the massive insecurities of a Harvard audience, the palpable need to belong; laughter transmogrified from an expression of joy to an expression of nervousness, a device to identify oneself with an elite...