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...which he devotes much of his time as a choreographer and performer. Unlike most dancers, Quinn did not practice the form until he arrived at Harvard. An actor during high school, he went to the final hours of Common Casting his freshman year. There, he happened upon “American Grace,” the Harvard Ballet Company’s 2006 dance showcase that was auditioning through Casting. It was during this production that Quinn discovered the beauty of the art that would come to define his four years at Harvard...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

...Geologist,” and who wear animal masks to press conferences, or is there some greater artistic value at work here? The answer is perhaps both. It is a fundamentally subjective experience; with no coherent dialogue or plot, the film relies upon the individual’s ability to translate the visuals and sound into an aesthetically pleasing and worthwhile production. The viewer is as integral as the work itself to the success of Animal Collective’s visual album...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

...ODDSAC” opens upon a distraught girl alone in a wallpapered room. As heightening drum beats pound away, the girl begins to frantically tear wallpaper off the walls unleashing a profusion of slick mud, in a scene that invokes Perkins Gillman’s story “The Yellow Wallpaper.” The mud torrent is seemingly unstoppable, despite the girl’s frantic struggles, and as the mud continues pouring, the profusion of bizarre sounds increase in volume and fury. The successful unity of the visuals and sound trigger intense emotional responses, arousing feelings even...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

...synthesis mirror the bizarre brilliance of songs such as “Summertime Clothes:” they are interesting, frightening and revelatory. However the film can, at times, become lost in its overly obscurantist mode. At one point, a single shot of a random red and black plane upon a white background lingers for at least five minutes. Multiple times, loud and abrasive sounds punctuate tranquil, motif-less scenes, with the sole aim to shock. It is in scenes such as these that the film becomes overly self-indulgent, relinquishing the aesthetic brilliance which is achieved through the subtlety...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

...ODDSAC” seems to reject any objective analysis. Its reception is dependent upon whether one can accept the aesthetic eccentricity and allow oneself to be captivated by it. The film will attract endless speculation about its meaning, and its signification. But this misses the point. As Perez stated, “Don’t try to find a meaning.” The aim of the film is to achieve aesthetic unity, which it does...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

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