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TIME generally avoids slang and jargon and feels gutter language is best left there. Among discouraged words are cop and kid. Also scowled upon are clichés--nothing should become a household name--and the likes of "tantamount to" and "may well," "arguably" and "recently." (One of the managing editor's most sweeping suggestions, arguably, was: "Approach with caution any word that ends with ly.") For consistency, numbers below 13 are always spelled out, and contractions are avoided, except in quotations. Particularly troublesome are transliterations from such languages as Chinese, Russian and Arabic. In TIME, Libya's leader is Gaddafi...
...nearly 300,000 American casualties in the Pacific fighting that began with Japan's surprise attack on Pearl Harbor, felt the domestic memorials were misplaced. Others, including President Reagan, emphasized that peace and the elimination of weapons were not necessarily synonymous. "We must never forget what nuclear weapons brought upon Hiroshima and Nagasaki," said Reagan, "yet we must remain mindful that our maintenance of a strong nuclear deterrent has for four decades ensured the security of the U.S. and the freedom of our allies in Asia and Europe." For most, however, it was simply a time to consider events that...
...uneasy about Turner's apparent moralistic streak. In 1982, in his only editorial for CNN, he called upon viewers to write to their Congressmen to protest the sex and violence in Hollywood films. Studio executives are now speculating about the entrepreneur's designs on MGM productions. Joked an MGM/UA executive last week: "Does Turner want to make movies? He did his Rhett Butler imitation when he was in here Monday." Turner, whose favorite movie is Gone With the Wind, named his son Rhett, 19, for the Clark Gable character in that film...
...historical section of the U.S. Farm Security Administration, a group that included Walker Evans, Dorothea Lange and Ben Shahn. Examining an impoverished rural America, they made some of photography's most trenchant and memorable images. In the FSA, Mydans learned the moral dimension of photography. No eye cast upon the hardships of those years could afterward decline into a tool for pretty picturemaking. A natural storyteller, he also learned with the FSA to look for his story in faces, in the unsettled gaze of transient cotton choppers and the cocksure grins of oilfield roustabouts...
Some three months after arriving in Tokyo to study the Japanese language and culture, an Englishman in his mid 20s happens upon a restaurant where he thinks he can find some pizza and beer. After checking his coat, he is horrified to be presented with a cloakroom tab for more than the garment is worth. While he tries haltingly to talk his way out of this mess, he is rescued by Ichimonji, an older and evidently much wealthier man. This patron takes the young foreigner under his protection and guides him through an evening of serious drinking at a succession...