Word: upone
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...accustomed to being marginalized,” she said. “Teen mothers crave [] recognition of their thoughts.” Lipper intended for the film and book to “go beyond stereotype to humanize instead of marginalize” those so often looked down upon in society...
...intense yet completely preposterous Inspektor Richard, is likewise funny and energetic, and carries his scenes with verve. In lesser, multiple roles, Carla M. Borras ’05, Jeremy R. Steinemann ’08 and Stephen T. Volpe ’07 all draw upon seemingly bottomless reserves of energy to create various absurdist caricatures and to tear about the stage in wonderfully orchestrated sequences of madcap physical humor...
When architectural luminary Le Corbusier first visited Cambridge 45 years ago this fall, he came to begin work on a home for the practice and instruction of the visual arts at Harvard. With his characteristic black glasses sitting upon his beaked nose, Corbusier’s arrival marked not only the birth of a significant piece of the modernist architectural canon, but also a significant—and to this point, unparalleled—moment in Harvard’s historically tenuous relationship with contemporary art and architecture...
...following the receipt of a prestigious Hugo Boss Prize awarded by the Guggenheim Museum in 2002 and representation of France at the Venice Biennale the year before. While his previous films and multi-media installations have touched on the legacy of Corbusier-inspired Modernism—and, most often, upon its idealistic failure—Huyghe, who is in his early 40s, was, like most of the students who inhabit the Carpenter Center, born only after the building’s completion. In response, his film at once reconstructs the story of the building’s conception while layering...
...conception. It is from this document that Huyghe has cleverly derived the storyboard for his own project. As his film further solidifies the Carpenter Center’s dual role as a protagonist for art as well as a place for its making, the building provides a hinge upon which Huyghe can collapse 40 years of Harvard’s tenuous history with the visual arts...