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Metropolitan Opera (Sat. 2 p.m., ABC). The Magic Flute, with Amara Hur ley, Sullivan, Uppman, Hines...

Author: /time Magazine | Title: TELEVISION: Program Preview, Mar. 11, 1957 | 3/11/1957 | See Source »

Offenbach's La Périchole, with Patrice Munsel, Theodor Uppman, Cyril Ritchard...

Author: /time Magazine | Title: TELEVISION: Program Preview, Jan. 21, 1957 | 1/21/1957 | See Source »

...hacks of genius, Henri Meilhac and Ludovic Halévy, who vaguely based it (as they did their celebrated book for Carmen) on a work by Prosper Mérimée.* As a pretty street singer who ditches her poor but honest boy friend (Baritone Theodor Uppman) for a viceroy of Peru, Soprano Patrice Munsel does some discreet bumps and grinds, rides an ass, and prettily sings the operetta's best-known tune, a farewell aria to her sweetheart-one of those lovely, almost-convincing pieces of lyricism that Offenbach turned out along with his musical ironies...

Author: /time Magazine | Title: Music: Romp at the Met | 1/7/1957 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). The Magic Flute, conducted by Bruno Walter, with Amara, Peters, Sullivan, Uppman, Hines...

Author: /time Magazine | Title: TELEVISION: Program Preview, Mar. 5, 1956 | 3/5/1956 | See Source »

...second disappointment was the all-American cast. For once, the Met stage was peopled by young, handsome, slender performers. But their Juilliard-type excellence somehow did not thrill. Baritone Theodor Uppman tried hardest and succeeded best as Papageno, the comical birdman; partly thanks to Ruth and Thomas Martin's competent translation, he put across his role with almost Broadway-like punch. Soprano Lucine Amara (Pamina) sang beautifully, and Roberta Peters (Queen of the Night) did her bell-like best despite a cold. But Tenor Brian Sullivan (Tamino) was dry-voiced and stiff-backed; Basso Jerome Hines, while...

Author: /time Magazine | Title: Music: Flat Flute | 3/5/1956 | See Source »

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