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After a while Banks sits down behind the upright piano, opens a book of scores, and starts to play themes from "Carmen...

Author: By Bryan D. Garsten, | Title: Khalilah Horton Goes to School | 5/12/1993 | See Source »

Like a person on a bicycle, Clinton must pedal forward in order to stay upright. And yet the terrain he is pedaling toward is full of pock marks, fox holes and blood...

Author: By Jacques E.C. Hymans, | Title: Clinton's Fatal Balkan Trap | 4/26/1993 | See Source »

...play depicts the turbulent and short-lived regency over the Duchy of Vienna. The Duke, poland assumes the disguise of mendicant friar to get a perspective on his city. As his deputy during his chooses Angelo on the basis of his reputation for unwavering morality. As expected, the upright Angelo upsets licentious Viennese by sentencing the randy Claudio to death for fornication. When his prim novitiate sister, Isabella, comes to sue for her brother's life. Angelo finds himself consumed by the very lust he condemns, and demands sexual favors for Claudio's release. Shakespeare constructs a detailed examination...

Author: By Edward Mcbridf., | Title: K-House Doesn't Measure Up | 4/22/1993 | See Source »

...Blake Lawit, as the Duke, at times gets carried away with this eccentric portrayl. The Duke,, especially when disguised as the friar, appears several flights short of the attic, losing some of the sinister edge to his character. Sinister transformations abound in Alan Ackerman's portrait of Angelo. The upright moralist degenerates into nymphomaniac with an anguish that would evoke sympathy from the most severe judge. Breheny's wide eyed innocence at the start of the drama captures the virginal Isabella perfectly.. But her maiden- in- distress scenes later on lack the same dramatic conviction...

Author: By Edward Mcbridf., | Title: K-House Doesn't Measure Up | 4/22/1993 | See Source »

...immigrant inflections for a flat Minnesota accent. More helpfully, she makes Anna a fighter, battered on the wheel of men's lust but still defiantly erect. The actors' posture is important here. As Anna's negligent father, Rip Torn walks with the cramped stride of a man who stays upright by lying to himself -- even as Torn remains true to the text by speaking in the obscure diction of the Muppets' Swedish Chef. And Liam Neeson, wonderfully direct as Anna's would-be redeemer of a beau, lurches from anger to perplexity. He is like a backward child with...

Author: /time Magazine | Title: Revving Into Revelation | 1/25/1993 | See Source »

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