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Dates: during 1970-1979
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Usage:

For a long time, back in their early days, the four received a great deal of notoriety for smashing their instruments at the end of each performance. It was, at first, a flashy, frightening and finally exhilarating thing to see. Drummer Keith Moon blew up his drum kit, and Townshend...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

One of the few major alterations in The Who is that for years there has been no breaking of instruments. "Sometimes I got the feeling," says Entwistle, 35, "that the people wished we would just come out, smash up the lot and leave." An additional, sadder change occurred when Keith...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

The rush is the path into the music. The way to the center and out again is a good deal more complex and subtle. Townshend's obsessions are the audience, music itself and a certain evasive, almost evanescent kind of spirituality that has its roots in the teaching of the...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

All of this, which seems clear in retrospect, got muddled up in the psychedelic Zeitgeist of the waning '60s, and then confounded even further by the buoyantly bonkers ministrations of Director Ken Russell, whose wildly successful 1975 film version of Tommy was like Busby Berkeley on a bummer. By that...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

"A quick punch is always better than stewing about for months," Daltrey says, but by 1967, Moon and Entwistle were both fed up, and took a walk together. "I was always breaking up fights," Entwistle remembers, "pulling Roger off somebody, usually Pete. Keith and I were fed up with all...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

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