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...could. Jerald Jackson, who is named on the birth certificate as Autumn's father, claims he is her real dad. Jackson, a convicted felon who is now a truck driver and born-again Christian, says he and Autumn's mother, Shawn Upshaw, had a relationship while she was a prostitute. (Upshaw "categorically denies" that she ever worked as a prostitute, says her attorney, Wanda Akin.) "We really cared about one another, and Autumn was supposed to symbolize that," Jackson told TIME. "I don't just believe I am the father. I know I am the father...

Author: /time Magazine | Title: FROM HERE TO PATERNITY | 8/11/1997 | See Source »

...Liederkreis, a cycle from 1840, the legendary "year of song." Working with texts by the poet and novelist Joseph Eichendorff, Schumann dashed off these twelve songs in a few weeks in May--have you finished your term papers? The duo's singing and playing shared a similar exuberance. Upshaw's fierce glares and terror-filled voice in "Waldgespruch" (Wood Dialogue) were playfully evocative of the Schubert Erlkoening, while Goode evoked the Liszt "Wild Jagd" transcendental etude when a line of Eichendorff's mentioned "ein lustiges Jagd," a merry hunt. The music of many of the songs demonstrated Schumann's lifelong...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

...last and best-known song of the set, "Fruehlingsnacht" (Spring Night, an appropriate enough title) was the occasion for a masterful performance. Upshaw somehow summoned an even greater sweetness to her voice, and Goode's playing burst forth as if the number of strings on his piano had suddenly tripled. The last verse, which tells of a natural world sympathetic to the joys of a young lover, kindled real romance. It also revealed a hidden order in the evening's songs: in each set, Schubert, Berg, and Schumann, the nightingale made at least one appearance...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

After a standing ovation, the dazed crowd was treated to three encores. Two, the Schumann "Erists's" (It is He) from his Song album for the Young, and the Schubert "Rastlose Liebe" (Restless Love), were given, in Upshaw's words, "to urge spring along." The third, the Brahms lullaby, was just for kicks and got laughs...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

...Upshaw and Goode consistently performed with great subtlety, beyond what the reviewer's ear could discern. Thanks to the Bank-Boston folks for concluding so brilliantly a season of such amazing, connoisseur-pleasing virtuosos...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

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