Word: urban
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Dates: during 2000-2009
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...road, letting them live anywhere. They're looking for a place where they can get more for their money and raise their kids in a wholesome environment. "My daughter is growing up. She's in middle school," says Jim. "She's getting a little too ghetto, a little too urban. We want to be someplace with family values...
...thought we knew that ‘acting white’ happened in all-black schools in urban neighborhoods. I think we had the facts entirely backwards,” Fryer, who is a junior fellow in the Harvard Society of Fellows and a faculty research fellow at the National Bureau of Economic Research, said in an interview...
...anymore. The South is finally where hip-hop's at. These days, the biggest acts on Billboard's urban charts and on MTV are Southerners like the Ying Yang Twins, Ludacris, Mike Jones and, of course, Atlanta duo Outkast, which last year became the first hip-hop act to win a Grammy for Album of the Year. The cutting edge of Southern music: a danceable, rapid-fire, bass-heavy rap (frequently blended with R&B) called crunk, fine-tuned and marketed by loud, gold-toothed former DJ Lil Jon and popularized partly through his massive and spectacularly vulgar...
Just how Southern has the urban-music scene become? Four of the 10 rap artists who got the most airplay last year were from the South. These days, the rappers from the lower states have clothing lines, accessories, even branded beverages (Lil Jon's energy drink is called Crunk Juice), not to mention alliances with the biggest pop artists. The Ying Yang Twins have collaborated with Britney Spears, and Destiny's Child commissioned Atlanta rapper T.I. on a recent single. Lil Jon has produced big crunk hits for Atlantans Usher (Yeah!) and Ciara (Goodies...
...just striving toughs--and tyro directors--who have dreams. Producers can catch the fever too. Stephanie Allain was a Columbia Pictures executive in 1990 when she signed Singleton, then just 22, to make Boyz n the Hood, which established the urban drama as a viable genre. When Allain could find no studio to say yes to Brewer's script, she sold her house and invested in the project. Then she alerted Singleton. "He loved it," says Brewer, "He said, 'All you need is me to go into the room with you.'" Still no takers. So Singleton put his house...