Word: urbanize
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Dates: during 1960-1969
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PRUDENTIAL'S ON STAGE (NBC, 9-10 p.m.).* Workers on the committee of an antipoverty project include a war hero (William Shatner) and a poor girl (Elizabeth Ashley) who fall in love while dealing with politics and urban responsibility. The play's title: "... The Skirts of Happy Chance...
...PLACE TO BE SOMEBODY is a black panther of a play, stalking the off-Broadway stage as if it were in an urban jungle, snarling and clawing with uninhibited fury at the contemporary fabric of black-white and black-black relationships. If the characters of Playwright Charles Gordone are not quite solidly realized, their sentiments most emphatically are. Gordone is too honest an author to lie about a bright, brotherly tomorrow just over the horizon, but in thunder and in laughter he tells the racial truth of today...
...mention sanitation technology. Ecologists maintain a watch on the total environment, noting how change in one area triggers change in others. Ethnologists explore ways of dampening human violence before it becomes hopelessly harnessed to all the lethal weapons available. City planners try to bring some order out of the urban sprawl. The research institutes, or think tanks, recruit bold generalists or "futurists" to plot scenarios of the problems ahead. Modern society has produced all sorts of middleman and service jobs-public relations men, travel agents, pollsters and political-campaign experts, to cite a few. At another level federally financed antipoverty...
Even by the unfettered standards of Britain's Anglican hierarchy, the Bishop of Southwark is known as a bold and outspoken churchman. In addition to sponsoring a host of adventurous urban missions, the Rt. Rev. Mervyn Stockwood has over the years defended homosexuals, denounced Anglican policy on divorce as cowardly, told ribald stories in public and revealed the drinking habits of his fellow clerics in a book called The Compleat Imbiber...
They gather with the twilight in every city, swaggering under awnings and before the fluorescent lights of cafeteria windows. They like to bill themselves as "studs," but they are guys who swing from both sides of the bed. Around them swirls another kind of urban flotsam: maimed, embittered victims with out a prayer of sexual gratification or a hope of companionship. From these unpromising fragments, James Leo Herlihy wrote a lyric blues ballad disguised as a novel. The film adaptation of Midnight Cowboy may grant that ballad too much orchestration, but it preserves its essential compassion and humor...