Word: urchins
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Dates: during 1930-1939
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Ginger, Jane Withers' first starring picture, is uncomplicated enough to conform to the limited rules laid down for child heroines denied the privilege of passion. It details the education of an urchin. Phase No. 1 displays her as a tenement scamp named Ginger, haphazardly raised by a bibbing old foster uncle (0. P. Heg-gie). In the role of brat, she stones windows, pastes neighborhood friends with fruit, eludes policemen by sliding gaily down a coal chute, fabricates glibly and frequently...
Opening with lengthy, minute particulars of Germany's urchin-in-the-jam-closet behavior, Dame France recalled to the League Council that, whereas German Air Minister Goring denied on Dec. 20, 1934 that his country possessed a military air force, three months later Realmleader Hitler told Sir John Simon that the Fatherland's military air force is equal to Great Britain...
...four scenarists including John L. Balderston (Berkeley Square) is somewhat obvious, the picture is nevertheless thoroughly entertaining, full of Mid-Victorian atmosphere, good acting, and Dickensian makeup. (The cast used 2,200 lb. of grease paint and false hair.) Startling shot: Jasper and Durdles being stoned by an urchin named Deputy who squeals: Winnie-winnie...
...game hunting on Plympton Street: gentleman in first floor room of Adams squat C-section is annoyed by urchin--flung snowball; gentleman, entertaining woman, thinks valor the better part of discretion; gentleman, being sportsman, has double-barrelled shotgun; gentleman, being copiously refreshed with liquid refreshments, grabs gun and runs out into street; woman, being likewise, follows, coat absent and hair flying in the wind; gentleman, supported on the slippery ice by woman, aims gun at urchin; urchin, being heroic, stands ground, grabs snow, molds missile, projects it with zeal and fervor; woman, being on ice and copiously refreshed, dedges...
Nearing the end of his fabulous career as a child actor, Jackie Cooper*, now 9, according to the Motion Picture Almanac, but so mature that gestures with his tongue will soon seem idiotic, makes Bill Peck a lovable urchin, sure to appeal to all chronic admirers of juvenile pictures. For making Peck's Bad Boy enjoyable also to less susceptible cinemaddicts, small Jackie Searl deserves the credit. A brat whose thin, disdainful, pasty face has made him villain in so many films that he has been called the Boris Karloff of his generation, he acts with his customary blood...